Tag Archives: Master Class

16.12 : Singing Versus Speaking

Your Hosts: Mary Robinette, Dan, Amal, and Howard

Can you hear your writing sing, being intoned instead of read? With the dialogs as tunes whose tags say “sung” instead of “said?” When the rhythm of your prose echoes the rhythm of a song you’ll see perhaps you’ve been a poet all along.

Credits: This episode was recorded by Marshall Carr, and mastered by Alex Jackson. Les Miserables was written by Victor Hugo, set to music by Claude-Michel Schönberg, and ruined here by Howard Tayler.

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Take a passage from your own work that isn’t quite working. Try to sing it: what happens when you do? Do you notice things about it that you don’t usually? Try to write it as a song — and then translate it back into prose.

Stargazer, by Dan Wells