Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Jared Quan
Jared Quan serves as a volunteer on several non-profit boards, and joined us to talk about the opportunities that exist for writers. Administration, leadership, writing and editing, and teaching are just a few of the many kinds of roles available for volunteers.
Credits: This episode was recorded live at LTUE by Dan Thompson, and mastered by Alex Jackson.
Your Hosts:Howard, Mary Robinette, Dan, and Dongwon
Authors have brands whether they want to have them or not. It’s a simple principle of marketing, and the better we understand that principle, the better able we are to control how it affects our careers.
In this episode we talk marketing, and freely use terms like “relationship marketing,” “authentic experience,” and “brand loyalty,” despite the fact that sometimes these words make our inner artists cringe.
Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.
Your Hosts: Brandon, Mary Robinette, and Dan, with special guest Rob Kimbro
Rob Kimbro joins us this week to talk about Aristotle’s elements of tragedy, and how they might be applied to our writing. The six elements are (in Aristotle’s order of descending importance): plot, character, idea, dialog, music, and spectacle. We discuss this tool in terms of critiquing existing work, and in finding direction in the things we create.
Credits: this episode was recorded by Howard Tayler, and mastered by Alex Jackson
Your Hosts: Dan Wells, Tempest Bradford, Dongwon Song, and Julia Rios
Julia Rios joins us to talk about writing characters who come from one of the many Latin-American cultures or subcultures. “Latinx” is a catch-all term for people with Latin-American heritage, including mixed-race people. In this episode we talk about mash-up cuisine, intersectionality, and how to navigate the subtleties to find the specific cultural elements which will help you create Latinx characters.
Credits:This episode was recorded by Bert Grimm, and mastered by Alex Jackson.
This is the first of our Writing The Other episodes, in which we set out to help writers portray people who are unlike them. In this episode we’re joined by T.J. Berry. She walks us through the language and terminology of bisexuality.
Last week’s episode may have sounded like the last one for 2018, but that’s an artifact of December having five Sundays rather than four. Fifth Sundays are our “wildcards,” and something wild seems like a nice way to round out the year.
Tom Marshburn, who is both spaceman and parent, talks to us about what it’s like to be both.
Credits: This episode was recorded by Ben Hewett, and mastered by Alex Jackson
Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Zoraida Córdova
Zoraida Córdova, an award-winning author of urban fantasy, was born in Ecuador and grew up in Queens. She joins us to talk about what writers get wrong (and what they can get right and do well) when portraying latinas in the United States.
Credits: This episode was recorded live at FanX Salt Lake (formerly “Salt Lake Comic-Con”) by Dan Thompson, and mastered by Alex Jackson
The comic book Howard referenced is Guardians of Infinity #3, (2016), which features a back-up story entitled “Yo Soy Groot.”
Peggy Whitson is the astronaut Mary referenced. As of this writing, she holds the record for longest single spaceflight by an American.
Your Hosts: Howard, Mary Robinette, and Dan, with special guests Bart Smith and Ben Hewett
When we talk about space travel we’re usually talking about rocket scientists and astronauts. In this episode we spoke with our guests Bart Smith and Ben Hewett, about the “unsexy” (read: possibly boring but don’t be deceived) side of the space program—budgeting, logistics, and procurement. RFI and RFP, with toilets, hammers, and business cards; that’s this episode.
(For those unfamiliar with the above TLAs [three letter acronyms], RFI and RFP stand for Request for Information and Request for Proposal.)