Internal conflicts, simply put, are problems your characters have with themselves. In this episode we address the ways in which writers can build stories and subplots around internal conflicts, and how we can tell when it’s not working.
Notes: the MICE quotient is Milieu, Idea, Character, and Event. Mary’s relationship axes are Role, Relationship, Status, and Competence.
Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson
When Mary says we could do fifteen different episodes on character arcs, she’s being conservative. Notwithstanding, we set out to talk meaningfully about character arcs in one episode rather than in fifteen (or fifty.) We look at the shapes of these arcs, how they progress in our narratives, and the tools we use to get them to function properly in the context of our larger works.
Notes:Elizabeth Boyle‘s DREAM tool for plotting character change is easier to remember when written out. So here it is!
Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson
Character backstories: these are the tales that describe how the characters in your story became who they are by the time they arrive in the book. How much backstory needs to be written before you start in on the manuscript? How much needs to be in the manuscript itself? And how much backstory is too much?
Your Hosts: Brandon, Mary, Dan, and Howard, with Jamahl Crouch
Jamahl Crouch (Illusmm1 on Instagram) joined us at the GenCon Indy Writers Symposium to talk about what writers get wrong about street art. Jamahl is many things, and one of those is “street artist.”
We discuss the differences between graffiti and street art, where things like commissioned murals fit into the scene, and how the societal pressures (read: “it’s not legal to paint on this wall”) affect the form.