Do we value originality too much? What does it mean to be original, and how can we, as authors, write wonderful things when all of the good ideas have already been used?
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Do we value originality too much? What does it mean to be original, and how can we, as authors, write wonderful things when all of the good ideas have already been used?
Recorded live at Utah Valley University, here’s another Q&A episode from the LTUE Symposium! The questions: What was Brandon’s plan with Mistborn and the themes regarding establishment? Why does Kelsier shrug so much? (This leads into a fun discussion of “tells.”) How do you know when to stop a chapter?…
Capers and Heists as a plot form, with lots of movies cited as examples.
Brandon answers “The Way of Kings” questions from Mary, Howard, and Dan.
Recorded live, our regular ‘casters discuss time travel, and somehow manage not to become any of their own parents, or even uncles.
A microcast is our word for an asynchronous Q&A episode: you ask us tons of questions online, either through twitter or facebook or our listenermail account (on the sidebar), and we want to answer as many of them as we can. Not every answer can fill an entire episode, though,…
Howard answers questions about “Force Multiplication,” (the 12th Schlock Mercenary book) as posed by Brandon, Dan, and Mary.
Michael R. Collings and Michaelbrent Collings discuss cathartic horror with Brandon, Dan, and Mary in front of a live audience at UVU.
A Q&A with James Dashner covering paragraph edits, plotting, writing prequels to existing series, and more.
What is your “voice” and how do you identify it? James Artimus Owen joins us for this discussion before a live audience at Life, The Universe, and Everything at Utah Valley University.