Fifteen minutes long, because you're in a hurry, and we're not that smart.

Writing Excuses 8.36: Transitioning Characters in Prominence

After a quick, two-and-a-half-minute announcement about Writing Excuses winning the 2013 Hugo Award for Best Related Work, we get on with the topic at hand…

How do you go about transitioning characters in relative prominence during the course of a series? This might include fading a main character into the background, or drawing a side character into focus as the protagonist.

Howard talks about doing this in Schlock Mercenary, and how readers have reacted. Dan discusses doing this in the John Cleaver books, and what was required to make that work. Brandon tells us about Spook in the Mistborn trilogy, and why it was critical to the story for him to come to prominence. Mary explains that this shift is something that happens anytime there’s a POV shift.

Homework: Take a minor character from a story you’ve already completed, and tell their story.

Thing of the week: The Rithmatist, by Brandon Sanderson, narrated by Michael Kramer.

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