Fifteen minutes long, because you're in a hurry, and we're not that smart.
Today we’re talking about setting, which in speculative fiction is often called worldbuilding. But once you’ve finished building the world, how do you convey that world on the page? That is, how do time and place shape your story—and your characters? In this episode, we’re talking about the power of…
The imago technology lies at the heart of this novel thematically and narratively. How does this technology create a world, delineate Mahit’s culture from Teixcalaan, and ask enormous questions about identity and empire? Thing of the Week: “Rotten” (Documentary Series available on Netflix) Homework: Come up with three technological or magical…
If you’re writing short fiction, how much of your world do you even need to figure out? Should you have it all written out? Can you just wing it? This week on the podcast, we discuss how much of a world to build for a short story (and how). We…
So, what is publishing for, anyway? The question may seem glib, but DongWong Song raised it in their newsletter, and in this episode we answer (or at least refine our asking of) the question. Liner Notes: The Publishing Question Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan…
Your Hosts: Brandon, Dan, Mary Robinette, and Howard This Q&A session was recorded before a live audience aboard ship at WXR 2022, Here are some paraphrasings of the questions our attendees asked: How do you make your world feel big without infodumping? How do you balance a sense of progress…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Here at the end of our 8-episode intensive series on Worldbuilding we discuss stepping away from the defaults, the clichés, and the tropes, and choosing every element deliberately. There’s nothing inherently wrong with the tropes. We’re just suggesting that they be…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Magic and technology are tools that we, as writers, use to tell interesting stories, and they’re very, very similar tools. In this episode we’ll examine some ways in which both magical and technological elements can be used in our stories.…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler As we do our worldbuilding with similarity, specificity, and selective depth (per the previous episode), we should take care to apply these things throughout our stories. In this episode we discuss how these elements we’ve world-built can become “textures.” Credits:…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler Writers are illusionists, and worldbuilding requires no small mastery of that particular magic. In this episode we’ll explore the creation of believable illusions through the techniques of similarity, specificity, and selective depth. Credits: This episode was recorded by Marshall Carr,…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler In our world, the ostensibly “real” one (simulation theory notwithstanding), stuff is changing all the time. Why, then, do we see so many fantasy worlds whose once-upon-a-times seem timeless? A more important question: how might we, as writers cognizant of…
