Tag Archives: Worldbuilding

Season 14, Theory and Technique

14.11: Magic Without Rules

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Your Hosts: Brandon, Mary Robinette, Margaret, and Howard

When we say “without rules” we’re talking about stories whose magic is not held under logical scrutiny for the reader. There are lots of reasons why you might do this, and in this episode we’ll talk about not just about the why, but also the how.

Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson

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Take a story with rule-based magic. Now have the rules all go wrong, the characters realize they don’t really understand the rules at all.

Bookburners, by Max Gladstone, Mur Lafferty, Margaret Dunlap, Andrea Phillips, Brian Slattery, and Amal el Mohtar

Season 14, Theory and Technique

14.10: Magic Systems

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Your Hosts: Brandon, Dan, Howard, and Mahtab

Let’s design magic systems! We talk about how we do it, and how the principles of magic system design apply to the science fiction systems we create, and vice-versa.

NOTE: In this episode we’re talking about “hard” magic systems, where there are well-defined rule sets (even if the reader isn’t shown them explicitly.) Next week we’ll talk about “soft” magic.

Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

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Take a “soft” magic system, and turn it into a “hard” system. Give Gandalf rules

The Third Eye, by Mahtab Narsimhan

Season 14, Theory and Technique

14.9: Showing Off

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Your Hosts: Brandon, Mary Robinette, Dan, and Howard

Let’s infodump without infodumping. Let’s deliver lots of exposition without sounding expository. Let’s talk with the maid and the butler without having maid-and-butler dialog.

Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson

 

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Write some ephemera for your world

Shadiversity (Vidcast), by Shad M. Brooks

Live Audience, Q&A, Season 14, Theory and Technique

14.8: Worldbuilding Q&A #1

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Your Hosts: Howard, Mary Robinette, Dan, and DongWon

We invited attendees at WXR 2018 to ask us some general worldbuilding questions. Here’s what they asked:

  • What cultural stuff do you need to know during the writing process?
  • How do you treat overlaps between real-world religions and fictional religions when the fictional religions are part of the story’s fundamental conflict?
  • How much worldbuilding do you have figured out before you start your first draft, and how much do you discover on the fly?
  • What’s the point in a book beyond which you shouldn’t introduce big worldbuilding elements?
  • How do you ensure that the world comes through as a character of its own?
  • How much change to terminology is too much?

Credits: This episode was recorded live by Bert Grimm, and mastered by Alex Jackson

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What do you do about time in your universe? Spend some time considering how it is demarcated in your setting.

Spinning Silver, by Naomi Novik

Season 14, Theory and Technique

14.7: How Weird is Too Weird?

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Your Hosts: Brandon, Mary Robinette, Margaret, and Howard

How weird, how far outside the realm of what the reader feels to be familiar, is too weird? Where is the line beyond which the fantasy is too fantastic, the unreal too unrealistic, or the aliens too alien? In this episode we discuss finding that line, and with the tools at our disposal, possibly moving it.

Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

 

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Take your current work-in-progress, and determine what your “one buy” is. Narrow it down.

The Nine (Thieves of Fate, Book One), by Tracy Townsend

Season 14, Theory and Technique

14.6: Fantasy and Science Fiction Races

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Your Hosts: Brandon, Dan, Howard, and Mahtab

Let’s talk about race, sort-of. Let’s talk about creating races—species of people, really—which is a critically important activity in much of our worldbuilding. In this episode we discuss a few of the pitfalls, some of our own techniques, and a few of our favorite alien¹ races.

¹Can of Worms: It’s likely you’ll subconsciously code your creations after people who are “other” to you. This is both fraught and inescapable, but we don’t want to discourage you from trying. On May 26th we’ll go into detail telling you “yes, you can,” in a Writing The Other episode entitled “Yes You Can.”

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Take one major historical event, and set it in space with non-human races.

Dragon’s Blood, by Jane Yolen, narrated by Marc Thompson

Season 14, Theory and Technique

14.5: Viewpoint as Worldbuilding

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Your Hosts: Brandon, Mary Robinette, Dan, and Howard

When you’re defining your world for the reader, some voice in the text must speak those definitions. This episode is about how we use character voices—their dialog and their narrative view points—to worldbuild. What do they see? How do they perceive it? What are their favorite jokes? What do they say when they swear?

Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson

 

 

 

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From within, from without: Take a character who is alien to the culture/setting you’re writing, and describe things from their point of view. Now describe those same things from the point of view of a character native to the culture/setting.

Children of Blood and Bone, by Tomi Adeyemi

Season 14, Theory and Technique

14.03: World of Hats

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Your Hosts: Brandon, Mary Robinette, Margaret, and Howard

Margaret Dunlap joins us during season 14 to talk about worldbuilding. In this, her first episode with us, we talk about worlds in which a monolithic culture (like, say, ‘everyone wears hats’) is represented. We cover how to use the trope to your advantage, and how to avoid the trope if it’s going to cause problems.

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Podcast: Play in new window | Download (Duration: 17:55 — 12.4MB)

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Write some monoculture-defying fanfic, in which you add outliers to your favorite world of hats. Like, say, a Klingon belly-dancer, or the microclimate on Hoth where you can grow peaches.

An Ember in the Ashes, by Sabaa Tahir