Tag Archives: Worldbuilding

Theory and Technique

14.6: Fantasy and Science Fiction Races

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Your Hosts: Brandon, Dan, Howard, and Mahtab

Let’s talk about race, sort-of. Let’s talk about creating races—species of people, really—which is a critically important activity in much of our worldbuilding. In this episode we discuss a few of the pitfalls, some of our own techniques, and a few of our favorite alien¹ races.

¹Can of Worms: It’s likely you’ll subconsciously code your creations after people who are “other” to you. This is both fraught and inescapable, but we don’t want to discourage you from trying. On May 26th we’ll go into detail telling you “yes, you can,” in a Writing The Other episode entitled “Yes You Can.”

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Take one major historical event, and set it in space with non-human races.

Dragon’s Blood, by Jane Yolen, narrated by Marc Thompson

Season 14, Theory and Technique

14.5: Viewpoint as Worldbuilding

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Your Hosts: Brandon, Mary Robinette, Dan, and Howard

When you’re defining your world for the reader, some voice in the text must speak those definitions. This episode is about how we use character voices—their dialog and their narrative view points—to worldbuild. What do they see? How do they perceive it? What are their favorite jokes? What do they say when they swear?

Credits: This episode was recorded by Benjamin Hewett, and mastered by Alex Jackson

 

 

 

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From within, from without: Take a character who is alien to the culture/setting you’re writing, and describe things from their point of view. Now describe those same things from the point of view of a character native to the culture/setting.

Children of Blood and Bone, by Tomi Adeyemi

Season 14, Theory and Technique

14.03: World of Hats

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Your Hosts: Brandon, Mary Robinette, Margaret, and Howard

Margaret Dunlap joins us during season 14 to talk about worldbuilding. In this, her first episode with us, we talk about worlds in which a monolithic culture (like, say, ‘everyone wears hats’) is represented. We cover how to use the trope to your advantage, and how to avoid the trope if it’s going to cause problems.

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Write some monoculture-defying fanfic, in which you add outliers to your favorite world of hats. Like, say, a Klingon belly-dancer, or the microclimate on Hoth where you can grow peaches.

An Ember in the Ashes, by Sabaa Tahir

Season 14, Theory and Technique

14.02: Geography and Biomes

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Your Hosts: Brandon, Dan, Howard, and Mahtab

Mahtab Narsimhan joins us this year for a dozen episodes on worldbuilding, and this week we’re talking about geography and biomes. These pieces of our settings can be central to the stories we tell, but they can also be backdrops, and the story purposes they serve may determine which tools we use to describe them.

Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

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Describe a landscape using four senses that are not sight

Legion vs. Phalanx: The Epic Struggle for Infantry Supremacy in the Ancient World, by Myke Cole, narrated by Alexander Cendese

Guest, Live Audience, Season 12, Theory and Technique

12.51: Constructed Languages, with Dirk Elzinga

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Your Hosts: Howard, Mary, Dan, with guest host Beth Meacham

Dirk Elzinga, an associate professor of linguistics, joined us live at LTUE to talk about constructed languages, and how we, as writers, might go about constructing them for our work.

Liner Notes: The big stack of notes from Dirk required its own page. Below are links to specific tools mentioned during the episode.

Credits: This episode was recorded live at LTUE by Dan Dan the Audioman Thompson and mastered beneath a pyramid of stone tablet encyclopedias by Alex Jackson.

 

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Come up to with a non-combat, non-warfare metaphor to talk about a debate.

Always Coming Home by Ursula Le Guin

Q&A, Season 12, Theory and Technique

12.26: Q&A on Outlining and Discovery Writing

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Your Hosts: Brandon, Piper, Dan, and Howard

Our listeners had questions about outlining and discovery writing. Here are a few of the very best:

  • Do you outline scenes? How?
  • How do you know when to STOP outlining something?
  • How much do you have to know about your character and/or world before you start writing?
  • What do you to to diagnose and fix a structural problem with a discovery-written draft?
  • What do you do to ‘get into’ an outline that you’re struggling with.
  • Are each of your projects similar in terms of procedure?
  • What are some major indicators that a piece needs more structural work?

Soundbite moment: DAN: “I had to learn the difference between a story, and a bunch of stuff that happens.”

Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered via great mastery by Alex Jackson

 

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Find another writer. You each write a quick outline for a story, print it, then cut your outline into strips. Now, trade piles of strips. Your missions? Re-assemble the other writer’s outline.

Contracted Defense, by Piper J. Drake