Fifteen minutes long, because you're in a hurry, and we're not that smart.
So, what is publishing for, anyway? The question may seem glib, but DongWong Song raised it in their newsletter, and in this episode we answer (or at least refine our asking of) the question. Liner Notes: The Publishing Question Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan…
Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler We’re beginning another master class, another deep dive series of episodes, and this time around we’ll be led into the realms of good worldbuilding by Fonda Lee. In this episode Fonda talks about her process, which includes plotting…
Your Hosts: Mary Robinette, Lari, and Dan, with special guest Jenn Court Let’s talk about serials. Jenn Court, whose work includes lots of writing for TV (IMDB link), joins us for the discussion. What are the elements that get us, as readers or viewers, to come back for episode after…
Your Hosts: Brandon, Victoria, Dan, and Howard We’re often asked how to balance character arcs with the intricacies of the plots we create. In this episode we talk about the various ways in which we do this. Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. Homework:…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Daniel Friend Daniel Friend, who edits SF/F, has worked in election offices, has run for office, and has participated in campaigns. In this episode we talk about the ways elections can be worked into our stories. Credits: This episode…
Your Hosts: Brandon, Mary Robinette, and Dan, with special guest Rob Kimbro Rob Kimbro joins us this week to talk about Aristotle’s elements of tragedy, and how they might be applied to our writing. The six elements are (in Aristotle’s order of descending importance): plot, character, idea, dialog, music, and…
Elemental Genre becomes particularly useful when you start blending the elements for sub-plots, character arcs, or even mash-ups.
Are we making progress? How do we communicate that to the reader?
Character failure is a big part of making the middle of a story work. We talk about why, and offer tips about how to make this work well for you.
What’s the difference between intrigue, suspense, and mystery? We talk about this, and then drill down on intrigue.
