How do you go about transitioning characters in relative prominence during a series of books?
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
How do you go about transitioning characters in relative prominence during a series of books?
Jeph Jacques of Questionable Content joins us to talk about discovery writing, and how he digs himself out of holes when he writes himself into them.
How do you help your readers relate to the non-human characters in your fiction?
Q&A covering workflow, contests, lantern-hanging, word counts, and more
The cast talks about making dialogue, blocking, and description work together for exposition and story-telling.
The cast discusses how to make reluctant, non-proactive, non-go-getting characters interesting to read about.
The cast answers questions about publishing, formatting, process, and the Evil Nemesis John Scalzi.
How do we break our books into chapters, and how to we build those chapters to begin with?
What does “space opera” mean, and how might you go about writing it?
Mary walks Brandon, Dan, and Howard through the processes for writing “Kiss Me Twice,” her Hugo-nominated novella