Fifteen minutes long, because you're in a hurry, and we're not that smart.
In elemental relationship stories the primary page-turning driver is the relationship between two or three characters ¹. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Credits: this episode was recorded by Jeff Cools, and mastered by Alex Jackson ¹We’re…
For our third Elemental Humor episode Victoria Schwab joins us as we field questions taken from our audience at Phoenix Comic-Con. Here are the questions: How do you add humor to a serious story without breaking the tension? How do I move beyond the “Dad jokes” and into properly funny…
Humor is present as an element, at least to some degree, in a substantial amount of the media we consume. In this episode we discuss some stylistic tools for applying humor to our work, and how these tools can best be employed. WX Trivia: Episode 11.34 represents a pair of firsts…
Victoria Schwab, who also writes as V.E. Schwab, joined us in Phoenix to talk about crossover fiction—in this context the term means books that target a given demographic but which have a much broader appeal, or books which straddle the line between age demographics. We discuss some good crossover examples,…
“Talking about humor is the least funny thing you can do.” —Howard Tayler You have been warned! and with that out of the way… What is the driving force that gets readers to turn pages in a book that is primarily a work of humor? More importantly, how do we…
Trina Marie Phillips joined us at Phoenix Comic Con to talk about her work as a futurist. Futurism, for those unfamiliar with our use of the term here, is related to science fiction, but it remains rooted in existing technology and trends, then seeks to be predictive in useful ways. Liner…
We fielded the following questions about the “Thriller” elemental genre from listeners on Facebook and Twitter: How do I build tension consistently through my story? How do you maintain tension during dialog? When do you not use a cliffhanger? Do you ever picture your scenes as if they were in…
Thrillers are, by their very nature, page-turners. In this episode we look at the thriller element as part of a story whose principal driver is one of the other elemental genres. We consider some examples of blended-with-thrill stories, and then drill down a bit and look at how we can incorporate this…
Alyssa Wong, Campbell Award nominee and Nebula Award winner, joins us to talk about impostor syndrome. This is the frame of mind that many successful writers suffer from, in which they worry that they’re not really good enough at writing to be enjoying their success. Worse, this mindset can prevent…
Let’s get this out of the way up front: in the syntax of elemental genres, the phrase “the element of thriller” is clunky. But we’ll say it anyway. We discuss the difference between the drivers in thrillers, horror stories, and mysteries, and use the elemental genre tools to assist in…
