All posts by Howard Tayler

13.49: How to Finish

Your Hosts: Brandon, Mary Robinette, Amal, and Maurice

Last week we talked about character death. This week we talk about other, less fatal ways in which a character story can be finished, and how we, as writers, can tell when we’re done with a character arc.

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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You’re about to cut into a cake… and it speaks.
(Note: the phrase “the cake is alive” might qualify as “low-hanging fruit.”)

This is How You Lose the Time War, by Amal El Mohtar and Max Gladstone
(note: Between the time we recorded and the time this episode aired the publication date was pushed back. The novel is, however, available for pre-order.)

13.48: Character Death and Plot Armor

Your Hosts: Brandon, Mary Robinette, Dan, and Howard

The characters we create are not all destined for long lives. Sure, some are, but a great many of them are on paths that will end in an abrupt fatality of one kind or another, and in this episode we’ll talk about how we choose which characters to put on those paths, and how those paths might be shaped.

We also talk about characters who walk perilous paths and emerge unscathed (sometimes thanks less to their pluck and wit, and more due to plot armor.)

Liner Notes:“The Worshipful Society of Glovers” can be found here at Uncanny Magazine .

Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

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An SF/F conceit in which death is looks exactly like death to the people to whom it’s not happening, but is actually a transformation for the person experiencing it.

Random Access Memorabilia, written and illustrated by Howard Tayler, with colors by Travis Walton
(available to read free online beginning here)

13.47: Q&A on Fixing Characters

Your Hosts: Brandon, Valynne, Dan, and Howard

You had questions about fixing character problems. We had had answers! Here are the questions:

  • How do you fix character voices when you find out that two of them are too similar?
  • How can you tell if a character is, in fact, the problem?
  • How do you maintain interest in a character who is largely inactive?
  • How do you write interesting bad guys when your only POV characters are the good guys?
  • How do you give meaningful challenges to a powerful character?
  • How can you make a normal, everyday character interesting?
  • How do you edit an existing manuscript to give characters interests which mesh with the plot?

Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

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Cheeto McFlair: Who are they, and why are they asking questions of the Writing Excuses team?

Myths and Monsters, narrated by Nicholas Day (currently available on Netflix)

13.46: The Unsexy Side of Space, with Bart Smith and Ben Hewett

Your Hosts: Howard, Mary Robinette, and Dan, with special guests Bart Smith and Ben Hewett

When we talk about space travel we’re usually talking about rocket scientists and astronauts. In this episode we spoke with our guests Bart Smith and Ben Hewett, about the “unsexy” (read: possibly boring but don’t be deceived) side of the space program—budgeting, logistics, and procurement. RFI and RFP, with toilets, hammers, and business cards; that’s this episode.

(For those unfamiliar with the above TLAs [three letter acronyms], RFI and RFP stand for Request for Information and Request for Proposal.)

 

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Write a story in which a budget analyst and a procurement intern save the day

The Martian, by Andy Weir, about which we have gushed repeatedly

NaNoWriMo 2018 Bonus Episode, with Mercedes Lackey

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Mercedes Lackey

NaNoWriMo 2018 is half-way over today. Are you stuck? Do you need to get unstuck? Mercedes Lackey joined us at GenCon Indy back in 2017 to talk about writer’s block, and how it’s very likely a symptom of something else. In this episode we discuss the interpretation of those symptoms, and how we go about solving the root problems.

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Write a lovers’ quarrel where the fight they’re having is happening because they think they need to have a fight.

13.45: Next Level Narration

Your Hosts: Brandon, Mary Robinette, Amal, and Maurice

Narration is that stuff which tells your story, but isn’t dialog. It’s the voice of your narrator, and it might be multiple voices depending on how you’re handling point of view. In this episode we’ll talk about the things you can do to challenge yourself and level up your narration.

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Write a scene from several points of view. Each of these characters are experiencing the same scene differently, and some of them are lying about it.

The Usual Suspects, by Maurice Broaddus
(NOTE: currently available for preorder. Between the time this episode was recorded and its air date the book’s publication date got pushed into May of 2019)