Brandon, Dan, and Howard brainstorm as Producer Jordo reads headlines.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Recorded live at LTUE 2010, here’s a high-energy Q&A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic…
Tragedy. It’s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well… because the Greeks thought we should be forced to have strong emotional responses to literature. Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who…
This episode totally would have updated earlier if I’d only known sooner that it was ready to go. Jordo says he emailed me early this evening, but if he HAD then you’d have been listening to this by 8:00pm Sunday. So… how much of that do you believe? Is the…
Dan, Howard, and Jordo descended into the basement at Dragon’s Keep where members of the local NaNoWriMo chapter were attempting to bolster their word-counts for the day. We talked to them about National Novel Writing Month, and about the things that were getting them stuck. Good times! Writing Prompt: Kill…
Question: Can you write a good book without a plot twist? Better question: is it a good book if your readers predicted what was coming? Best question: is a podcast about predictable prose itself predictable? No, seriously… the best question is “how can we use predictable, formulaic plotting effectively?” We…
You are going to love this episode. Seriously. Brandon throws an idea at Dan and Howard, and then we spend 15 minutes expanding on that idea as if we were going to base a story around it. You people who keep asking where we get our ideas? You’re asking the…
Larry Correia, whose debut novel Monster Hunter International hit the market this summer, joins us for a discussion of plot-driven vs. character driven fiction. We start with a definition of terms and a discussion of the battlefield. Then we dive into the nuts and bolts of how to write what…
Meanwhile, several side-characters found themselves looking for a sub-plot in the tavern. Something funny, or perhaps romantic to take the load off of the main story, but still tense enough to keep the pace going. Or maybe something that will let them introduce important elements to the main plot without…
What are dramatic breaks? We open this episode with Howard very genuinely playing Doctor Watson to Brandon’s Holmes, which is amusing because as it turns out, Howard uses dramatic breaks every day. Simply put they are the points in the narrative, typically at the end of a chapter, where we…