Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Brandon, Mary, Mary Anne, and Wesley How might you go about creating great outlines? There are many processes, and we cover several of them. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson. Homework: Take the list of events that you’re considering putting into…
Your Hosts: Brandon, Piper, Dan, and Howard What can discovery writers learn from outlining? What can outliners learn from discovery writing? Is there a balance between the two that can serve as a happy, productive place for writers? (summary of answers: lots, lots, and yes-but-not-all-writers.) Homework: Write a backward story.…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley We’re speaking again, at least in part, to discovery writers. In this case, we’re talking about how to take a non-outlined work and apply a structure to it in revisions. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex…
Your Hosts: Brandon, Mary, Dan, and Howard This episode is for you discovery writers, especially those of you for whom our current season of structure seems to be locking you down, or pointing up methods which you just don’t like to use. We talk about how these methods, these structural…
Ellen Kushner joins us for the last episode of Season 10. Per the title, folks, it’s time to be done. What does “done” mean? How do you go about declaring a project “finished” when you know there are still things wrong with it? How do you clear your head, your work…
And now for your questions about revision. Or rather, questions from the WXR attendees, who were aboard the Independence of the Seas with us (the answers to these questions are secreted away in the audio file…): During revision, when do you think it’s acceptable to throw the whole thing out?…
Wes Chu joins us again for a Q&A about this month’s topic: story structure! Here are the questions: Do you make a conscious decision about how to structure your story before you begin writing? Is it necessary to use multiple structures (three-act, Hollywood formula, etc) in order to ensure that…
If you haven’t yet read “Parallel Perspectives,” from Schlock Mercenary: Massively Parallel, we have a PDF for you to download and read before you start listening to this episode. It’s a 33mb file in a public DropBox folder. Parallel Perspectives PDF for Writing Excuses listeners Got the file? Done reading?…
This month’s syllabus topic is story structure, and we’ll be starting with the part we start with. And that part usually isn’t the beginning — that’s where the story starts for the reader. We’re going to talk about where the story starts for you. It’s the answer to questions like…
Pre-writing: It’s like pre-cooking, only with more abandoned prologues and fewer refried beans.
