Fifteen minutes long, because you're in a hurry, and we're not that smart.
How do you find the right size for your story? And speaking of size, what do novellas do differently than both short stories and novels? What even is the difference between a novel and a novella? How many characters do they usually have? How many subplots? How do you know if your…
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal The next eight episodes are a deep dive into the M.I.C.E. Quotient, so we’ll begin with a definition. M.I.C.E. is an organizational tool which categorizes story elements as Milieu, Inquiry, Character, or Event. It helps authors know which…
Your Hosts: Dan, Mary Robinette, and Lari, with special guest Erin Roberts Erin Roberts joins us for a discussion of short story markets—a topic which is very susceptible to “churn” because of the way short story markets come and go. We cover how to research and evaluate the various markets…
Your Hosts: Brandon, Piper, Dan, and Howard Our listeners sent us some questions about writing shorter fiction. Here are the questions: How do you market short stories today? Has ebook self-publishing made novellas more viable? How do you structure a short story? How short is too short? Is publishing sections of…
Your Hosts: Brandon, Mary, Dan, and Howard Larger than a short story, smaller than a novel… there’s quite a bit of space between those two thresholds, and in this episode we discuss the ways in which we go about filling that space with a well-structured story. Credits: this episode was…
Mary walks Brandon, Dan, and Howard through the Milieu, Idea, Character, and Event (M.I.C.E.) quotient from Orson Scott Card, and then they retell the Billy Goats Gruff four times.
