Tag Archives: Guest

11.Bonus-01: Characterization and Differentiation, with Robin Hobb

Robin Hobb joined us at GenCon Indy for a discussion of characterization and differentiation. And by “discussion,” what we really mean is “we ask Robin all the questions.” We learn about Robin’s process for creating characters, wrapping stories around them, and making these characters distinctly different from each other.

Credits: This episode was recorded by Joel Burnham, and mastered by Alex Jackson, and was made possible by the generous support of the GenCon Indy Writer’s Symposium, and the Writing Excuses patrons at Patreon.

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Pull some of your favorite books down, examine the dialog itself, without tags, and determine what tricks the writer has used to differentiate the character voices.

Hex, by Thomas Olde Huevelt

Writing Excuses 8.46: Editing with Aeryn Rudel

Aeryn Rudel, publications manager (it’s like the editor-in-chief) of Privateer Press‘s Skull Island X imprint, joins us to talk about editing. Obligatory disclaimer — Aeryn is Howard’s boss when Howard writes things like “Extraordinary Zoology.”

Aeryn begins by explaining to us what it is that he’s looking for in works, in the authors with whom he works, and how writers might prepare themselves for this kind of work, but his real job here on the ‘cast is to talk to us about the role of the editor. Much of that role deals with continuity of to the setting and the tone of the piece, but there’s plenty more.

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Hell’s copyeditor.

The Blade Itself: The First Law: Book One by Joe Abercrombie, narrated by Steven Pacey

Writing Excuses 8.39: Dystopian Fiction with Cherie Priest

Cherie Priest stopped by for an evening during the Out Of Excuses Workshop and Retreat this summer, so of course we took the opportunity to drag her into the basement and grill her relentlessly about dystopian fiction, in front of witnesses.

(Okay, maybe that’s not exactly how it happened…)

After the requisite introductions, we give you a working definition of dystopian fiction, and why it’s popular. Cherie and Dan tell us about their dystopias, and then we dig into talking about how to build them well.

Steelheart Tweeting Thingy: Per the episode intro from Howard, this Monday, September 30th we’ll be giving away Steelheart audiobooks, courtesy of our sponsor Audible.com, to some randomly-selected people who tweet their epic weakness and the name of the book. Here’s the format:

“My epic weakness is {WEAKNESS} and the chance to win the STEELHEART audiobook from @WritingExcuses”

Obviously you’ll want to replace {WEAKNESS} with something clever. You have fifty-two characters to play with. Also, you should follow @WritingExcuses on Twitter so we can Direct Message you if you happen to be one of the lucky winners. We’ll announce the winners on Tuesday.

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Base a dystopia on breakfast cereal…

Dreadnought, by Cherie Priest, narrated by Kate Reading.