Tag Archives: Game Design

16.25: Breaking Into Game Writing

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler

So, after all this talk about designing games and writing for games, it’s time to address the big question: how does one go about getting a game-design/game-writing job?

It’s a competitive field, and there are no easy answers, but we do have some hard answers for you. And some homework…

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Brainstorm something short you could make to showcase your skills—could even be the homework from a previous lesson—then make that thing and post it online for free.

Dread, because the mechanic is so simple and creates such perfect tension.

16.24: Worldbuilding for Games

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler

Worldbuilding is one of our favorite topics, and it’s a domain in which game design and novel writing share a lot of territory. In this episode we talk about how much we love it, and how much we enjoy letting other people love it enough to do the heavy lifting for us.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Take a story or game that you’ve written and drop in a few casual allusions to names you’ve just made up—places, people, objects. Don’t try to figure out what they are, just make the names as cool-sounding as you can—soultrees, the Babbling Throne, Kobishar the Unmoored. Then come back a week later and write a page of background on each of them.

The Dune RPG, from Modipheus Games

16.23: Rules and Mechanics

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler

Let’s talk about how players interact with the mechanics of the game, and what kinds of requirements those might put on the writers.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Pick a game you’re familiar with and design three new rules elements for it. These could be new cards for Magic, new feats or character abilities for a TTRPG, new power-ups for Super Mario, etc.
Try to think through all the ways these could be fun, and then try to find ways a player could use them to totally break a story.

Disco Elysium

16.22: Scenes and Set Pieces

Your Hosts: Mary Robinette Kowal, Cassandra Khaw, Dan Wells, James L. Sutter, and Howard Tayler

Let’s have a discussion about scenes and set pieces, and let’s lead with this: prose writers often create longer pieces using scenes as building blocks, and in this thing writing for game design is very, very similar.

Scenes and set pieces are some of the most critical components in game design, and each of them must deliver several different things to the players in order to work well.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Design an encounter for a game you’ve enjoyed, hitting each of the following factors: setting, challenge, adversaries, rewards, and story development.

16.20: Branching Narratives

Your Hosts: Mary Robinette Kowal, James L. Sutter, Dan Wells, Cassandra Khaw, and Howard Tayler

How do you give players meaningful choices while still keeping the story within a reasonable set of boundaries? In this episode James and Cassandra lead us in a discussion of branching narratives, and the ways in which we as writers can create them.

Credits: this episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

Liner Notes: Dan mentioned this collection of “Choose your own adventure” plot maps.
Howard illustrated the concept of “narrative bumper pool” in Tracy Hickman’s X-TREME DUNGEON MASTERY

A branching path which begins at point A, and ends at either point X, Y, or Z.
Narrative Bumper Pool from X-TREME DUNGEON MASTERY, used with permission
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Write a short “choose-your-own-adventure” story.

The Planet Mercenary RPG, created by Alan Bahr, Howard Tayler, and Sandra Tayler.