In previous episodes we’ve established the dichotomy between discovery writing and outline writing. In our ‘casts about process, we’ve mostly talked about outlining, working from an outline, and the worldbuilding that goes behind all of that. We’ve never talked much about the process of discovery writing, though.
It is time for us to correct that egregious oversight.
In this installment your hosts muse upon the pros and cons of discovery writing, and how we handle the discovery writing process. We discuss false starts, and how they may not be false at all. We cover dialog, which is always a fun place to start writing, and we offer up some structures that discovery writers may begin with in order to provide themselves direction.
We also tackle endings, which are where most discovery writers have their largest problems.
Audiobook Pick-of-the-Week: Way of the Wolf, by E.E. Knight, who has been called the best fantasy author you’ve never heard of.
Writing Prompt: Look around. Now, pick six unrelated items and weave them together in the first chapter. Two of them are Chekov’s Guns.
Abrupt Ending That Came Not Quite Abruptly Enough: 17 minutes and 52 seconds, with screams.
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