Tag Archives: Discovery Writing

14.8: Worldbuilding Q&A #1

Your Hosts: Howard, Mary Robinette, Dan, and DongWon

We invited attendees at WXR 2018 to ask us some general worldbuilding questions. Here’s what they asked:

  • What cultural stuff do you need to know during the writing process?
  • How do you treat overlaps between real-world religions and fictional religions when the fictional religions are part of the story’s fundamental conflict?
  • How much worldbuilding do you have figured out before you start your first draft, and how much do you discover on the fly?
  • What’s the point in a book beyond which you shouldn’t introduce big worldbuilding elements?
  • How do you ensure that the world comes through as a character of its own?
  • How much change to terminology is too much?

Credits: This episode was recorded live by Bert Grimm, and mastered by Alex Jackson

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What do you do about time in your universe? Spend some time considering how it is demarcated in your setting.

Spinning Silver, by Naomi Novik

12.24: Creating Great Outlines

Your Hosts: Brandon, Mary, Mary Anne, and Wesley

How might you go about creating great outlines? There are many processes, and we cover several of them.

 

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson

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Take the list of events that you’re considering putting into your story. Create a list of scene types, and assign your events to these scenes.

12.22: Hybrid Outlining and Discovery Writing

Your Hosts: Brandon, Piper, Dan, and Howard

What can discovery writers learn from outlining? What can outliners learn from discovery writing? Is there a balance between the two that can serve as a happy, productive place for writers? (summary of answers: lots, lots, and yes-but-not-all-writers.)

 

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Write a backward story. Begin with the ending, and work your way backward into the story as you write your way forward with the words.

Nothing Left to Lose, by Dan Wells

12.20: Retrofitting Structure into a First Draft

Your Hosts: Brandon, Mary, Mary Anne, and Wesley

We’re speaking again, at least in part, to discovery writers. In this case, we’re talking about how to take a non-outlined work and apply a structure to it in revisions.

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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Identify the promises you made in the first 10% of your story. Color-code them. Now color code your chapters and/or scenes, mapping them to the promises made early on.

City of Miracles, by Robert Jackson Bennett

12.19: Structure on the Fly

Your Hosts: Brandon, Mary, Dan, and Howard

This episode is for you discovery writers, especially those of you for whom our current season of structure seems to be locking you down, or pointing up methods which you just don’t like to use. We talk about how these methods, these structural principles, these mechanical advantages in the mental toolbox can be applied during the discovery writing process.

 

Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered on the north face of a dormant volcano by Alex Jackson

 

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Write a story in an hour and a half without outlining it. Pick a character, an object, and a genre. The character has problem with the object. Use a timer, and use the yes-but/no-and method as you go.

Hardcore History (podcast), with Dan Carlin (note: this podcast has a rolling paywall. The sooner you subscribe, the more you’ll have access to when you get around to listening.)

Writing Excuses 10.18: Build an Entire World? Are You Crazy?

This is for you folks who started writing the story before you finished building your world. Which is what we wanted you to do all along! Sneaky! We’re talking about letting your story drive your world building efforts, so that you can be more efficient.

We cover some of the tools that we use, as well as when world building fits into, then out of, and then back into our respective processes.

Out of Context Quote: “Sometimes you just need to take the underpants off the puppet.”

Other Worldbuilding Episodes to Reference: Brandon promised a list of links. Here’s a pretty comprehensive one!

We recommend not listening to all of them in one go. You’re supposed to be out of excuses and writing, not podcast diving for another two hours…

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Pick your gee-whiz, whatever it may be, and describe it in 150 words from ten different perspectives. Yes, that’s 1500 words.

Stormdancer: The Lotus War, Book One, by Jay Kristoff, narrated by Jennifer Ikeda