Fifteen minutes long, because you're in a hurry, and we're not that smart.

18.50: The Unreliable Narrator

All unreliable narrators aren’t unreliable in the same way. How do they differ and how does that change the way that we write them? Erin shares her unified theory (look at the graphic below!) of unreliable narrators.  Homework:  Take an event that you’re familiar with, and write about it as…

18.49: Giving Your Story A Voice

What does it mean if your writing is voice-y?  How do you give your character a natural voice? We approach this question from the high-level perspective of craft, and the granular level of word choice and sentence structure. Erin talks about the research she did about Appalachian English for her…

18.39: How To Write An Ending

Deep Dive: Sergeant In Motion How do you write an ending to a book? How do you finish something you’ve been writing for over 20 years? Howard Tayler talks to us about writing the ending to his serialized webcomic and space opera, Schlock Mercenary. We dive into how to write a…

18.24: “Dark One: Forgotten” Deep Dive

The team grills Dan on his audio-only book “Dark One: Forgotten,” which he co-wrote with Brandon Sanderson. We find out how he wrote a book that became a six-part audio series, and why exactly that form is important. *Please listen to “Dark One: Forgotten” before listening to this episode!*.  Homework:…