Fifteen minutes long, because you're in a hurry, and we're not that smart.
You didn’t think we’d just keep going with the same old stuff forever, did you? Well, actually we are, but now we’re calling it Season 2. This season begins with a series of episodes recorded at Mountain Con in Layton, UT, each of them rife with wisdom and wonder. This…
Everyone says you can’t teach style–each writer just has to figure it out on his or her own. Well, we here at Writing Excuses have never met an ultimatum we didn’t immediately challenge, so today we take it head on. Can you teach style? Can you learn tone? What makes…
Just as no burger is complete without its fries, no protagonist is complete without his sidekick, or his mother, or his entomologist, or whatever side character you decide to give him. This week we talk about why side characters are important, and how to do them well. Liner Notes Elantris…
In this, the last of our WorldCon 66 episodes, Brandon, Dan, and Howard interview Name of the Wind author Patrick Rothfuss. We discuss exposition, and how not to bore people as you move them through the learning curve. We start by covering some “don’ts” – including the essay, the police-artist sketch,…
What is horror? Why is it scary? HOW is it scary? Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes. Here’s a hint:…
While at CONduit, we recorded three episodes of Writing Excuses in front of an audience, and this is the first of those. In this episode we have Dan Willis join us as we take questions from the crowd. The four of us discuss voicing characters, naming things, writing Act II,…
Are flaws necessary for villains? What traits make for a really good (err… evil?) villain? What’s the difference between Sauron and Gollum? (“That’s the LAST time I send you out shopping for Gollums, son…”) Liner Notes: The Evil Overlord List, a handy reference for tropes to avoid (or, as the…
Is there a difference between the two? How do you use each appropriately in your writing? And how lovable can a group of mercenaries be? Powered by RedCircle
What makes a good hero? Why is Dirk Pitt so cool? Why do people like Superman? And why does Howard-with-a-chest-cold start to sound like Barry White? Some of these questions are answered in this episode while others are better left unexplained. LINER NOTES: Howard repeatedly invoked John August’s blog post…
