Fifteen minutes long, because you're in a hurry, and we're not that smart.
John Brown joins us this week for a discussion of plot threads specific to characters. These can be the main plot thread, interesting sub-plots, or just things that shape characters. Sometimes they’re things we do deliberately, and sometimes we discovery-write our way into these arcs. We talk about how we…
Melodrama. What is it? What do people mean when they say something is too melodramatic? Usually they do NOT mean “it’s too much like a classical melodrama,” but it helps if we start with that definition: a melodrama is a story in which each character only expresses one emotion, and/or…
Fast-paced Q&A with Brandon Sanderson, Dan Wells, and Howard Tayler
Brandon, Dan, and Howard discuss “Write what you DON’T know.”
Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person
Special guest Bree Despain of the Dark Divine trilogy joins us for a ‘cast on character quirks. A character quirk, avoiding the tautological definition, is something that makes your character memorable. We talk about good quirks, bad quirks, and how to tell the difference. We also laugh a lot because it…
We’ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why. We apologize for the lateness of the post, and the lameness of this episode description: this is…
The last of our three recorded-live episodes is also the last episode of Writing Excuses Season 4. We took questions from the audience, and answered them with ABSOLUTE APLOMB. Questions asked include: How did we, as beginning writers, manage to write while holding down day-jobs and/or going to school? What…
Recorded live at Dragons & Fairy Tales, this episode is for anybody who has a novel or two (or more) sitting in the bottom of their trunk. What are the best ways to re-use old material you’ve set aside? We talk about rewriting entire novels, repurposing plots or characters, and…
A practical, example-filled look at tuning up rough dialog.
