Fifteen minutes long, because you're in a hurry, and we're not that smart.
Today, we’re taking a higher view on the techniques we’ve been talking about over the last four episodes and focusing on how you can use our takeaways in your own writing. We’ll go over our final thoughts on C.L. Clark’s short stories (until next week’s episode, when we interview them!).…
As we conclude our first deep dive of our close reading series, we want to explore how the evolution of voice helped carry readers throughout “This Is How You Lose The Time War.” We also talk about the relationship between character arcs and language, learning and voice. Stay tuned for…
So, what is publishing for, anyway? The question may seem glib, but DongWong Song raised it in their newsletter, and in this episode we answer (or at least refine our asking of) the question. Liner Notes: The Publishing Question Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan…
For the next several episodes we’ll be talking about tension. That may seem like a lot of time to spend on just one word, but as we unpack the word ‘tension’ in this episode you’ll see that there is plenty of material to work with.
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Everything is about conflict? Really? Well, yes. Maybe not in the action-movie sense, but conflict is everywhere, even among people whose goals, objectives, and methodologies are in alignment. This, of course, means that it exists among your cast of characters,…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’ve mentioned “area of intention” earlier in this dialog master class, but now the concept gets the spotlight. If all of your characters have their own agendas, their own areas of intention, then the dialog between them should reflect that.…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler How well do you know your characters? Sure, you might know their age, nationality, and perhaps wardrobe, but how well do you know their internal characteristics? Do you know them well enough that you can write dialog that sounds like…
Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Our episode title comes to us across two and a half centuries:“We must, indeed, all hang together or, most assuredly, we shall all hang separately.” —Benjamin FranklinWe’ve already established that you’re planning to write an ensemble. This isn’t an episode about the…
Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler We’ve talked about making every member of the ensemble meaningful. In this episode we’re discussing who, in archetype terms, everybody is. How can archetypes help us get started, how can they help us set reader expectations, and what are the archetype-related pitfalls…
Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Sometimes we have to look at our ensemble of characters and ask ourselves what kind of story we’re trying to tell? If the story works with a single protagonist and one POV, maybe this isn’t an ensemble story after all. If, however,…
