Tag Archives: Character Arc

16.38: Deep Dive into “Character”

Your Hosts: Dan Wells, C.L. PolkCharlotte Forfieh, and Mary Robinette Kowal

Our fourth M.I.C.E. Quotient episode explores the “Character” element, and how these angsty, navel-gazing voyages of self-examination can serve either as complete stories or as elements in other stories. Also, we talk about how to do this in ways that don’t result in readers complaining about “navel-gazing” or “angsty.”

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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You’ve figured it out by now, right? Use the same fairy tale as last week (and the week before, and the week before that) and strip out every element that is not Character.

Popisho (US) This One Sky Day (UK), by Leone Ross

15.42: Writing The End

Your Hosts: Brandon, Victoria, Dan, and Howard

How do you decide what sort of event ends your story? How do you set the scale and the stakes for that event? And once you’ve made these decisions, how do you set about writing the best possible ending?

Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

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Reversal of Fortune

15.23: Serialization

Your Hosts: Mary Robinette, Lari, and Dan, with special guest Jenn Court

Let’s talk about serials. Jenn Court, whose work includes lots of  writing for TV (IMDB link), joins us for the discussion. What are the elements that get us, as readers or viewers, to come back for episode after episode, and how do we, as writers, identify those elements and set about synthesizing them?

Credits: This episode was mastered by Alex Jackson

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Think about your next protagonist. Make a chart that covers their positive and negative attributes.

Fetch the Bolt Cutters, by Fiona Apple

14.52: Game Mastering and Collaborative Storytelling, with Natasha Ence

Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Natasha Ence

Natasha Ence is a professional game master.

(Yes, you read that correctly.)

She joins us to discuss collaborative storytelling, and how the principles of game mastering for role-players can be applied to creating a fulfilling, engaging story.

Credits: This episode was recorded live at LTUE by Dan Thompson, and was mastered by Alex Jackson.

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Write about a role-playing game experience that has gone badly. Really, really badly…

Tales of the Table, the Patreon where Natasha Ence creates RPG setting materials you can use

13.49: How to Finish

Your Hosts: Brandon, Mary Robinette, Amal, and Maurice

Last week we talked about character death. This week we talk about other, less fatal ways in which a character story can be finished, and how we, as writers, can tell when we’re done with a character arc.

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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You’re about to cut into a cake… and it speaks.
(Note: the phrase “the cake is alive” might qualify as “low-hanging fruit.”)

This is How You Lose the Time War, by Amal El Mohtar and Max Gladstone
(note: Between the time we recorded and the time this episode aired the publication date was pushed back. The novel is, however, available for pre-order.)

13.47: Q&A on Fixing Characters

Your Hosts: Brandon, Valynne, Dan, and Howard

You had questions about fixing character problems. We had had answers! Here are the questions:

  • How do you fix character voices when you find out that two of them are too similar?
  • How can you tell if a character is, in fact, the problem?
  • How do you maintain interest in a character who is largely inactive?
  • How do you write interesting bad guys when your only POV characters are the good guys?
  • How do you give meaningful challenges to a powerful character?
  • How can you make a normal, everyday character interesting?
  • How do you edit an existing manuscript to give characters interests which mesh with the plot?

Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.

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Cheeto McFlair: Who are they, and why are they asking questions of the Writing Excuses team?

Myths and Monsters, narrated by Nicholas Day (currently available on Netflix)

13.41: Fixing Character Problems, Part II

Your Hosts: Brandon, Amal, Mary, and Maurice

This is the second of our pair of episodes in which we talk about how we, your hosts, fix the problems we’ve identified with the characters in our work.

Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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Take a character in one of your stories and split them into two characters. Take two characters from another of your stories, and combine them into one.

The Only Harmless Great Thing, by Brooke Bolander

13.40: Fixing Character Problems, Part I

Your Hosts: Brandon, Mary, Dan, and Howard

This is the first of two episodes in which we’ll talk about how we, your hosts, fix the problems we’ve identified with the characters in our work.

Credits: this episode was recorded by Dan Thompson and mastered by Alex Jackson

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Take your very favorite character that you’ve created, and write a couple of scenes in which you break them by writing them wrong.

Heroine Complex, by Sarah Kuhn