Tag Archives: Business

Writing Excuses 9.39: Publicity for Books

Patty Garcia, Director of Publicity for Tor & Forge books, joins us in front of a live audience at Westercon 67 to talk about what publicity activities look like for commercially published genre fiction books. In large measure, these activities center around driving discussion about the books with the most-followed reviewers, and we talk about what some of those are. We grill her about what sort of criteria we should be using for review copies, and what other activities new authors and established authors alike might consider spending time on.

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Write a short essay that touches on one of your books, and that will drive interest in your book.

The Goblin Emperor, by Katherine Addisson, narrated by Kyle McCarley

Writing Excuses 9.35: What to do when you disagree with your editor

Peter Orullian joined us in front of a live audience at Westercon to talk with us about dealing with editors. We usually talk about craft, but this is a business discussion, and it’s about one of the most delicate and important relationships in the business. He begins by telling the short version of the story, and how he managed one of the worst-case scenarios: asking your publisher for a different editor.

We then move into some take-aways, and some additional experiences we’ve had that will hopefully help our listeners manage this sort of thing in the future.

 

 

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Write a sword-fighting scene, a la Princess Bride, in which the witticisms are part of a magic system, and are part of the fight itself.

Unfettered: Tales by Masters of Fantasy, Written by: Terry Brooks, Patrick Rothfuss, Robert Jordan, Jacqueline Carey, R.A. Salvatore, Naomi Novik, Peter V. Brett, Shawn Speakman (editor)
Narrated by: Peter Ganim, Marc Vietor, Bronson Pinchot, Jay Snyder

Writing Excuses 9.17: Microcasting

Eric James Stone joins Brandon, Mary, and Howard to answer questions from our listeners. Here are the questions:

  • Should you submit your prologue along with the first chapters?
  • What do you do when you’ve got some professional sales under your belt, but can’t seem to get more?
  • How do you manage scene/sequel format in a multi-POV novel?
  • Is passive voice really that bad? How do you tell if you’re using it too much?
  • What is the threshold for deus ex machina?
  • How do you maximize the emotional impact of a character death?
  • If you’re a discovery writer, how do you go about becoming an outliner?
  • When someone asks what you do for a living, how do you answer them?
  • How do you get out of the beat-by-beat, this-then-that blocking of action?

Here is the Grammar Girl episode we mentioned.

 

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Write your character doing two things at once, both of which are plot-specific.

Writing Excuses 9.14: How to have an Opinion as a Public Figure

Let’s poke the Internet!

Of course, we may want to just sit on our hands for a few minutes and think before we poke…

Enough thinking. Let’s talk about talking about things. As 21st-century writers, we often spend time writing the things we think on assorted topics. We might blog these things, tweet them, or post comments to other people’s blogs. And before we do those things, we should consider the consequences, and not just the possible fallout from what we’re saying — all the consequences.

This doesn’t mean that we shouldn’t express our opinions, of course. This is just a reminder that choosing to express is also choosing a bunch of other stuff.

And on the outside chance you find yourself needing to apologize for something you’ve said, well, here’s a link to Scalzi’s Whatever regarding Apologies.

Dave Farland’s Writing Workshops sponsored us for this bonus episode! Both Brandon and Dan have studied under Dave, and we’re all happy to wholeheartedly recommend his workshops to you. If you can’t fly to his place, well, visit MyStoryDoctor.com and take the online course.

 

 

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Write out a strong opinion on something extreme, and do it three times: Once in a furious tone, once in a helpful tone, and once in a manner that is totally safe for all possible audiences including (as appropriate) your mom.

Then delete all three of them. This, no lie, is very valuable practice.

Writing Excuses 9.1: Chronology of a Book Deal with Eric James Stone

Happy New Year, and happy new season of Writing Excuses!

Eric James Stone joins us to talk about his latest book deal. These things are different for everyone, and the marketplace is changing so quickly that it’s worth noting the differences and the similarities between our deal experiences (three of us were sitting on brand-new deals as of the recording of this podcast.)

Eric in particular walks us through the chronology of his current book deal, from the original writing, through the agent representation and multiple rejections and revisions, all the way to the current contract. Did Eric’s Nebula win (for a different story) help this deal along a bit? Oh, it may very well have done exactly that.

Liner Notes: Here’s Jim Hine’s “First Novel Survey” results page.

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Write a story about someone who has amazing, incredible, wonderful news, but they’re not allowed to talk about it.

Ender’s World: Fresh Perspectives on the SF Classic Ender’s Game, a collection of essays by numerous writers, and narrated by lots of narrators. Both Eric and Mary wrote for this collection. (Note: it’s currently not appearing on Audible’s site, but Amazon shows it as being available through Audible. Weirdness!)

Writing Excuses 8.41: Out of Excuses Retreat Microcasting

At the Out of Excuses Retreat we took some questions from our listeners, and then answered them before a live audience. Here are the questions:

  • How do you find beta readers?
  • Legal and IP issues? Should you copyright your work before submitting?
  • Advice for a discovery writer?
  • As a fan, what is the best way to pay my favorite authors?
  • Can chapters be too short?
  • How much time do you spend reading?
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“Neon sniper gnome.”

Anna Dressed in Blood, by Kendare Blake, narrated by August Ross.