So, you want to write a Star Wars book? Kevin J. Anderson joins Brandon, Dan, and Howard to tackle writing in other people’s universes.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
So, you want to write a Star Wars book? Kevin J. Anderson joins Brandon, Dan, and Howard to tackle writing in other people’s universes.
Mary Robinette Kowal and Dave Wolverton join Dan and Howard for a discussion of movie considerations and formulas.
Mary Robinette Kowal and Eric Flint join Howard and Dan for a discussion of Alternate history – what, why, and how.
Scott Westerfeld joins Brandon and Howard for a discussion of the visual components of novels.
John Brown joins Brandon, Dan, and Howard for a discussion of second novels, sequels, and the trick to doing it again.
The now cancer-free John Brown joins us again, this time for a discussion of the creative process. John has presented a seminar on this subject in the past, the focus of which is to teach people to unlock their creativity. At the core of this is the problem-solving we all engage…
James Dashner and Julie Wright join Brandon and Dan at CONduit in Salt Lake City, and may end up wishing they hadn’t. Brandon throws sets of story concepts at the crew, and asks them to quickly frame serious stories with a solid settings and cool characters. The first set of…
Live from CONduit in Salt Lake City, L.E. Modessit Jr. and the Writing Excuses crew answer questions from the audience.
Jessica Day George joins the Writing Excuses crew again, this time for a discussion of writing for young adults, and maybe for teens, or even middle-grade readers. This isn’t a podcast about rigidly defining the boundary between the YA and middle-grade genres, though. That’s publishing. We’re talking about writing. If you…
Jessica Day George joins us again, this time to tell us how to write men. Brace yourselves for the bandying-about of generalities, for painting with broad brushes, and for assorted other potential points of offense! Let’s say, for a moment, that you’re not a man. How do you go about…