Last week’s episode may have sounded like the last one for 2018, but that’s an artifact of December having five Sundays rather than four. Fifth Sundays are our “wildcards,” and something wild seems like a nice way to round out the year.
Tom Marshburn, who is both spaceman and parent, talks to us about what it’s like to be both.
Credits: This episode was recorded by Ben Hewett, and mastered by Alex Jackson
We decided to wrap up this year on character by letting Brandon ask us some deep questions. “We decided” might be the wrong phrase, because nobody except Brandon knew what the questions were, so it might be more accurate to say “we rolled with it.”
It rolled quite nicely.
Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson. It was posted to the web by Howard, who is also the one who didn’t post until twenty-eight hours and twenty-minutes after he should have.
Your Hosts: Brandon, Mary Robinette, Dan, and Howard, with special guest Zoraida Córdova
Zoraida Córdova, an award-winning author of urban fantasy, was born in Ecuador and grew up in Queens. She joins us to talk about what writers get wrong (and what they can get right and do well) when portraying latinas in the United States.
Credits: This episode was recorded live at FanX Salt Lake (formerly “Salt Lake Comic-Con”) by Dan Thompson, and mastered by Alex Jackson
The comic book Howard referenced is Guardians of Infinity #3, (2016), which features a back-up story entitled “Yo Soy Groot.”
Peggy Whitson is the astronaut Mary referenced. As of this writing, she holds the record for longest single spaceflight by an American.
Join us for a cruise in the Caribbean, September 13-22, 2019!
Registration is now open with early bird pricing! Prices go up Jan 31st, so book soon!
The full details are available on the registration page, but here’s a quick overview:
What is this thing?
If you’ve never done one of our cruises before, they’re a kind of magical mix of class time, writing time, and screwing-around-in-a-cool-place time. We don’t know how it works, but it does, and you’ll love it. We did the math, and doing this on a cruise ship is really the least expensive way for us to give you a full week workshop. Plus, you get writing views like this.
We will board in Galveston, TX, and spend a week at sea, stopping for excursions in Cozumel, Georgetown, and Falmouth. The event actually begins two days before we board, in a Houston hotel, where we’ll register and get to know each other, and have a few classes.
We’ll have one or two classes a day, taught by our amazing guest instructors, as well as live Writing Excuses episodes with the hosts of the show. Brandon Sanderson will teach a class in Houston, and we’ll be joined by Piper Drake, Kathy Chung, K Tempest Bradford, DongWon Song, and more to be announced later. And of course, Mary Robinette, Dan, and Howard.
You said excursions?
For each stop, we’ll pick three “official” Writing Excuses shore excursions and announce them this Spring. You can sign up with us for one of those and know that you’ll be with our same group of awesome writers and instructors. If you want to do an excursion that’s not one of our official picks, you can arrange it directly with the cruise.
How does the pricing work?
Prices are Double Occupancy, which means you’ll share your room with another person. If you bring your own roommate, awesome! If not, we’ll put you with another writer from our group. Spouses and significant others who want to come with you but are not writers will get a discounted rate. Children get a hugely discounted rate. Imaginary friends are FREE.
As before, we will have a number of scholarships available. The application process will be announced in January.
I have a registration question. Should I leave a comment here?
The best way to contact us for WXR 2019 purposes is to use the “Contact Writing Excuses” link at the bottom of the Registration page. Scroll all the way down to “Contact the Organizer”. We’d have linked it directly here, but it’s an embedded thingy. You can also email questions to firstname.lastname@example.org.
I’ve already been on your cruise thingie. Why should I come again?
First off, I’m suspicious of your claim. Folks who HAVE been before are eager to come back, in large part because the single biggest benefit of WXR are the connections you make with the other attendees. But since you asked:
Family Punch Card: Anyone with a family ticket will get a punch card that will allow them to attend 3 classes with their writers. These classes are normally for writers only, but we’ve found that having a common language can help both writers and family members, and this is a good way to build that language.
Two nights at the hotel: We have added an extra day on the front end, which lets us do stuff like have a class with Brandon at the hotel, have the option to tour NASA with Mary Robinette, and other secret awesome stuff that I can’t tell you about yet, cause all the details aren’t worked out. Mwah ha ha!
Costume Karaoke: The theme for the costume party this year is Costume Karaoke. As always, this is a very loose theme. Maybe your costume is from a musical! Maybe it’s Karaoke related! Maybe it just comes with an excellent theme song! Whatever the case, we have the Karaoke bar on board reserved for our use after dinner on Costume night, and we’ll be curating a list of the kinds of songs YOU want to sing. In costume. (Neither signing or dressing up is required, but if that’s your jam, bring it on!)
Other Exciting Announcements to come: We’ve got some new stuff in the works, and it’s going to be quite excellent. We’ll announce as soon as we can.
I’m an introvert who doesn’t do well in big groups of people. Will I survive an event like this?
One Of Us! One Of Us! Honestly, most of our attendees are introverts too, including all of the hosts and most of the guest instructors. Some of us are better at faking it than others, but we know where you’re coming from, and we feel your pain. We’ll make sure to have lots of quiet little hidey-holes all over the ship where you can go when it all gets too much. It’s not called a “retreat” for nothing.
You keep saying it, but will I really have time to actually write while on this cruise?
You will definitely have time, but it’s up to you how to use it. We give prizes every year for the Most Words Written, and last year the winner had more than 40,000. We also have a proud history of board game nights, dancing, karaoke, and impromptu martial arts demonstrations. Whatever you want to do with your free time, you can probably do it at this event.
What level of writing expertise should I have attained prior to attending?
Level of expertise” is far less important than your desire to improve. The workshop is structured to be accessible and useful for new writers with a passion for learning, and to be challenging and rewarding for seasoned professionals looking for refinement, or additional perspectives. Different classes will be designed for different levels of experience.
Your Hosts: Brandon, Mary Robinette, Amal, and Maurice
Last week we talked about character death. This week we talk about other, less fatal ways in which a character story can be finished, and how we, as writers, can tell when we’re done with a character arc.
Credits:This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.
You’re about to cut into a cake… and it speaks. (Note: the phrase “the cake is alive” might qualify as “low-hanging fruit.”)
This is How You Lose the Time War, by Amal El Mohtar and Max Gladstone (note: Between the time we recorded and the time this episode aired the publication date was pushed back. The novel is, however, available for pre-order.)
Your Hosts: Brandon, Mary Robinette, Dan, and Howard
The characters we create are not all destined for long lives. Sure, some are, but a great many of them are on paths that will end in an abrupt fatality of one kind or another, and in this episode we’ll talk about how we choose which characters to put on those paths, and how those paths might be shaped.
We also talk about characters who walk perilous paths and emerge unscathed (sometimes thanks less to their pluck and wit, and more due to plot armor.)
Liner Notes:“The Worshipful Society of Glovers” can be found here at Uncanny Magazine .
Credits: This episode was recorded by Dan Thompson and mastered by Alex Jackson.