11.05: Writing and World Building for Role Playing Games
Michelle Lyons-McFarland, Monica Valentinelli, and Shanna Germain joined Howard and Dan at GenCon Indy for an episode which is a thinly-veiled indulgence for Howard to glean advice from three people who know far more about the craft of RPG design than he does.
Our discussion centers around how world building for role playing games, and especially the manner in which the world is presented, differs from world building for novels. We don’t talk about rule sets or physics simulations. We’re after the things that players want and need to read in order to immerse themselves in the setting, and get “in fiction.”
Pro-Tip: There are two major things, listeners, that you can get from this podcast: first, soak up the incredibly valuable writing-for-RPGs information provided by our guests. Second, listen to how Howard abases himself when he has the opportunity to sit down with experts who have information he desperately needs.
Liner Notes: Howard habitually mispronounces the word “ablative.” The accent should be on the first syllable: [ab-luh-tiv]
Homework: Write about a non-player, non-heroic character (say, the NPC who cleans the alley behind the tavern) in your setting. What do they want? What do they fear? What do they love? How might their story play out independently from the story told by the players?
Thing of the week: Perdido Street Station, By China Mieville, narrated by John Lee.
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