Tag Archives: Writing the Other

14.21: Writing The Other — Yes, You Can!

Your Hosts: Dan, Tempest, and Dongwon

The single most asked question we get on the subject of writing cultures other than our own is some variation on “can we even DO this anymore?”

Short answer: YES, YOU CAN.

Our objective with this episode is to encourage you to put in the work, do the research, and write outside of your culture or personal experience. At risk of sounding cliché, it’s not easy, but it’s worth it.

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Your homework is to show that you’ve done your homework. Make a list of the things you’re going to do (or have done) to properly research writing the other.

My Sister Rosa, by Justine Larbalestier, narrated by David Linsky

14.12: Writing The Other — Latinx Representation

Your Hosts: Dan Wells, Tempest Bradford, Dongwon Song, and Julia Rios

Julia Rios joins us to talk about writing characters who come from one of the many Latin-American cultures or subcultures. “Latinx” is a catch-all term for people with Latin-American heritage, including mixed-race people. In this episode we talk about mash-up cuisine, intersectionality, and how to navigate the subtleties to find the specific cultural elements which will help you create Latinx characters.

Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson.

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Research and then write a meal scene in the POV of a person from a specific culture.

Sal and Gabi Break the Universe, by  Carlos Hernandez

14.03: Writing the Other—Bisexual Characters

Your Hosts: Dan, Tempest, Dongwon, and TJ

This is the first of our Writing The Other episodes, in which we set out to help writers portray people who are unlike them. In this episode we’re joined by T.J. Berry. She walks us through the language and terminology of bisexuality.

 

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Find and watch the 100th episode of Brooklyn 99, which portrays the coming-out of a bisexual character

Space Unicorn Blues, by T.J. Berry

13.33: Reading Outside the Box

Your Hosts: Dan, Mary, Aliette, and Howard, with Kristie Claxton

Kristie Claxton joined us at WXR 2017 to talk about reading outside of the spaces where we’re comfortable and familiar. Specifically, we focused on how to learn about people who are not you by reading stories by and about them.

Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

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Who are you? Answer that, and then go on to read  things by and about people who are not you.

Warlock Holmes: A Study in Brimstone, by G.S. Denning, narrated by Robert Garson

13.24: What Writers Get Wrong, with Piper, Aliette, and Wesley, with special guest Ken Liu

Your Hosts: Piper Drake, Aliette de Bodard, and Wesley Chu, with special guest Ken Liu

Our hosts for this episode are experts in a great many different things. One thing that they have in common is that they’re all members of the Asian Disapora, and in this episode we’ll learn what kinds of things writers get wrong when writing Asian Diaspora elements, and how we as writers can learn to get those things right.

Credits: This episode was recorded by Bert Grimm, and mastered by Alex Jackson

 

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Read China Men, by Maxine Hong Kingston

13.15: What Writers Get Wrong, with Mike Stop Continues

Recorded live at WXR 2017.

Your Hosts: Dan, Mary, Aliette, and Howard, with special guest Mike Stop Continues

Mike has multiple areas of expertise, but for this episode he’s talking to us specifically about the things that writers get wrong about being a gay man.

Credits: This episode was recorded live by Bert Grimm, and mastered by Andrew Jackson.

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Change the sexual identity of a character in a scene of yours.

Underworld, by Mike Stop Continues

Writing the Other: a Discount Code for Listeners

Our friends at Writing the Other continue to host a wide range of classes addressing the manifold facets, angles, and approaches to getting our not-the-same-as-us characters written correctly.

On February 26th, Beyond the Basic Bi: Writing Bisexual Characters will be taught by BiNet’s Faith Cheltenham from 3pm to 5pm Eastern Time. Writing Excuses listeners may use the promotional code “noexcuses” for a 25% discount, bringing the price from $110 to $82.50 (assuming Howard did this math correctly.)

Scholarship opportunities are also available.

Please follow the link above for details about the class, the instructor, the scholarships, and the technical requirements for online attendance. If you want to be notified about upcoming Writing The Other classes, be sure to subscribe to their mailing list.

11.48: Elemental Issue Q&A, with DongWon Song

DongWon Song, literary agent with HMLA, joins us for a Q&A on the elemental genre of “Issue.” Here are the questions, which were submitted by the attendees at WXR ’16:

  • Can only certain people tackle certain issues in certain stories?
  • Science Fiction often explores issues by changing the context. Why does this work?
  • How would you handle an issue story in short fiction?
  • How do you make sure to research the issue enough without paralyzing yourself with the fear that you cannot do it justice?
  • How do you convincingly write a position with which you disagree without convincing your readers that you agree with it?
  • How do you write about a deeply personal issue without making it sound like a personal sob story?

Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

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Take an ensemble cast, and write each member’s position on a given issue.

Gift Child, by Janci Patterson