Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal With the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) explained, and the concept of nesting, or braiding the M.I.C.E. threads, we’re ready to dive into that most difficult part of the story: the middle. Enough of us dread (or at least…
It’s the end of 2017, so let’s talk about the things that we’ve tried to make work, and failed at. Not things that we tried before arriving at career-level measures of success—things that we’ve folded, spindled, and/or mutilated since then. There were a lot of them! This episode runs close to thirty…
The word “drama” gets thrown around a lot. What do we mean when we use “drama” as an elemental genre? For us, Elemental Drama focuses on one character’s transformation, and how that transformation affects everyone around them. This is a narrow definition of the word, but it’s a very useful way to…
Character failure is a big part of making the middle of a story work. We talk about why, and offer tips about how to make this work well for you.
Lots of people struggle with the middles of their books. One way to look at the middle is that it’s the point where you’re no longer working on that new project that has you excited, but haven’t yet gotten to the cool ending that has you excited. We talk about…
We talk about how to make characters more or less proactive in the stories we tell.
Recorded live at LTUE 2010, here’s a high-energy Q&A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic…
