As we said last week, we’re talking about pacing, and we’ve divided the concept into two parts. Last week we covered “sense of progress.” This week we’re talking about the passage of time. We discuss the tools we use, some of which are very mechanical (scene breaks, chapter breaks) and some of which are quite intricate, and require finesse to get right.
Podcast: Play in new window | Download (Duration: 19:07 — 13.2MB)
Take something you’ve already written (a chapter with a few scenes would be perfect.) Change scene breaks to through-scenes. Then try moving the scene breaks around. See what happens to the pace of the story.
Mette Ivie Harrison joins us again for a fun discussion of how we experience time. This episode runs a little differently. Howard shares an experience he had driving on black ice, Mette shares an experience about a bike accident during an Ironman, and Mary shares a story about falling down a flight of stairs.
Each of these stories point up the way that our perception of time can change. There are physiological reasons for this, and knowing just a little bit about that physiology can help us write this actual, real phenomenon in a way that does not seem cliché. We talk about how we can write time compression or dilation phenomenon in ways that seem fresh.
Podcast: Play in new window | Download (Duration: 20:16 — 13.9MB)
Take something you’ve already written where you relied on cliché (bonus points if it’s time-related) and rewrite it using different tools.
Déjà Dead, by Kathy Reichs, narrated by Barbara Rosenblat.