Tag Archives: Thriller

14.24: Political Intrigue

Your Hosts: Brandon, Mary Robinette, Margaret, and Howard

Political Intrigue stories are less about “politics” (as colloquially defined by pop culture) and more about mysteries. Per Mary Robinette, they’re often like heists of information. The word “politics” here is used in its purest sense: POWER.

In this episode we talk about how we worldbuild for stories in which the flow of information and misinformation affect the shift of power, and how to craft those stories so they’re, well… intriguing instead of being boring.

Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson

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Take a classic fairy tale. Assume that the fairy tale was just the cover story…

Star Touched Queen, by Roshani Choshki, narrated by Priya Ayyar

11.30: Elemental Thriller Q&A

We fielded the following questions about the “Thriller” elemental genre from listeners on Facebook and Twitter:

  • How do I build tension consistently through my story?
  • How do you maintain tension during dialog?
  • When do you not use a cliffhanger?
  • Do you ever picture your scenes as if they were in a movie?
  • How much elemental thriller is too much for a book that isn’t a thriller? What’s the tipping point where you’ve switched genres?
  • What do you do when the tension in your story peaks too early?

Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. 

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Sit down with your manuscript or outline, and in the margins, add notes about the emotions you’re trying to evoke with each scene, and where in the scene it’s supposed to happen. This list of notes is your “beat chart,” and it’s going to teach you neat things about your story.

Javelin Rain, by Myke Cole, narrated by Korey Jackson

11.29: Elemental Thriller as a Subgenre

Thrillers are, by their very nature, page-turners. In this episode we look at the thriller element as part of a story whose principal driver is one of the other elemental genres. We consider some examples of blended-with-thrill stories, and then drill down a bit and look at how we can incorporate this in our own work.

Credits: This episode was recorded by Daniel Thompson, and mastered by Alex Jackson. 

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Practice your cliffhangers! Experiment with the placement of chapter breaks, new questions, and big reveals, and work on each of these methods as a way to satisfactorily encourage that page turn.

Planetfall by Emma Newman, narrated by Emma Newman

Writing Excuses 9.43: Writing Mysteries

Live from Westercon 67 and Fantasy Con, Mette Ivie Harrison and J.R. Johannson join us to talk about writing for the mystery genre. We begin by talking about the key differences between thrillers and mysteries, and then move into how this understanding can drive our story structures. We discuss how characters with arcs and iconic characters drive different types of stories, and how each of us go about building these kinds of things.

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Write a mystery in which you explain where Howard was during this recording session.

The Ghosts of Belfast, by Stuart Neville,  narrated by Gerard Doyle