Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd In the previous episode we discussed how to ensure that your surprise feels inevitable. In this episode we’re covering how to make inevitability feel surprising. The title is a nod to the concept of the “red herring,” which is arguably the most useful…
Your Hosts: Howard Tayler, Kaela Rivera, Sandra Tayler, and Megan Lloyd This week we’re talking about giving inevitability to our intended surprise, and we open with a discussion of Chekov’s Gun, which, as a writing rule, is mostly used in inversion. Next week we’ll focus on making inevitable things surprising. Liner Notes: Art and…
Brandon, Dan, and Howard start at the ending and work their way backwards for your enjoyment.
Recorded live at LTUE 2010, here’s a high-energy Q&A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic…
Tragedy. It’s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well… because the Greeks thought we should be forced to have strong emotional responses to literature. Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who…
Question: Can you write a good book without a plot twist? Better question: is it a good book if your readers predicted what was coming? Best question: is a podcast about predictable prose itself predictable? No, seriously… the best question is “how can we use predictable, formulaic plotting effectively?” We…
