Fifteen minutes long, because you're in a hurry, and we're not that smart.
“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Our hosts tell us about the advice they wish they…
Your Hosts: Dan, Mary Robinette, Howard, and Brandon It sounds like a mean thing to say, but it’s not a wrong thing to say. A publisher is a corporation, and a corporation doesn’t have friends. It has contractual relationships. We can make friends with people who work for publishers, but…
Your Hosts: Dan, Mary Robinette, Howard, and Brandon Welcome to 2021, and Season 16 of Writing Excuses. This year we’re dividing the year into “master classes” or “intensive courses.” We’re kicking it off with Brandon’s episodes, which are all about the business of writing, and the first of those is…
Your Hosts: Howard, Mary Robinette, Dan, and Dongwon “Positioning feels like the most important question in all of publishing.” — DongWon Song In this episode we talk about how to ask and answer the question of positioning, which is “who is this book for?” Credits: This episode was recorded before a…
Your Hosts: Howard, Mary Robinette, Dan, and DongWon Authors have brands whether they want to have them or not. It’s a simple principle of marketing, and the better we understand that principle, the better able we are to control how it affects our careers. In this episode we talk marketing, and…
Your Hosts: Howard, Mary Robinette, Dan, and DongWon Guest-host Dongwon Song joined us at WXR 2018 as an instructor, and gave great advice regarding the business side of working as an author. In this episode he takes us through a conversation about choosing an agent. Credits: This episode was recorded…
Paul Stevens, an editor at Tor, joined us in front of a live audience at Westercon 67 to talk about royalties.
Patty Garcia, Director of Publicity at Tor, joins us to discuss publicizing books
Peter Orullian joins us to discuss managing the author-editor relationship when things go wrong.
Side quests come in a couple of forms — they may be something inside the book that takes the characters away from the main plotline, or they may be adventures that take place outside of the book itself. We talk about the first type, and how to make sure they’re…
