Let’s get that first page written in a way that will bring the reader to all the rest of the pages.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Let’s get that first page written in a way that will bring the reader to all the rest of the pages.
Wes Chu joins us again for a Q&A about this month’s topic: story structure! Here are the questions: Do you make a conscious decision about how to structure your story before you begin writing? Is it necessary to use multiple structures (three-act, Hollywood formula, etc) in order to ensure that…
If you haven’t yet read “Parallel Perspectives,” from Schlock Mercenary: Massively Parallel, we have a PDF for you to download and read before you start listening to this episode. It’s a 33mb file in a public DropBox folder. Parallel Perspectives PDF for Writing Excuses listeners Got the file? Done reading?…
As 2014 draws to a close we say goodbye to Season 9, and talk a bit about what we’ve each learned this year. Howard explained the surprising changes that came with a change in his work space Mary told us how she reached a new understanding of pacing Brandon talked about…
Live from Westercon 67 and Fantasy Con, Mette Ivie Harrison and J.R. Johannson join us to talk about writing for the mystery genre. We begin by talking about the key differences between thrillers and mysteries, and then move into how this understanding can drive our story structures. We discuss how characters…
The fourth of the SHADOWS BENEATH critique episodes, in which Howard is stuck…
A Q&A episode with Eric James Stone
How do we break our books into chapters, and how to we build those chapters to begin with?
Brandon, Dan, Mary, and Howard loved “The Avengers,” and would like to tell you what they think the film did right.
Blocking! What is it, why is it important, and how can you do it well?