Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Brandon, Mary Robinette, Dan, and Howard We’ve spent all year focusing on worldbuilding, and it’s time to move on. Almost. In this episode we try to cover some points we may have missed, we talk about what we’ve learned, and discuss some of our favorite recent examples of…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley What makes a plot a subplot? Must subplots and main plots be linked by something more binding than the actual binding of the book? In this episode we answer these questions, and ask and answer plenty more. Credits: This episode was recorded in…
What do you do when your villain is more interesting and engaging than your hero? The first step? Admit that this is a problem…
Mary walks Brandon, Dan, and Howard through the Milieu, Idea, Character, and Event (M.I.C.E.) quotient from Orson Scott Card, and then they retell the Billy Goats Gruff four times.
Tragedy. It’s just TRAGIC. Tragedy is also one of the classical forms that writers need to know how to work within. Why? Well… because the Greeks thought we should be forced to have strong emotional responses to literature. Writing Prompt: Write a delightful story about happy, cheerful anthropomorphic creatures who…
