Tag Archives: Lois McMaster Bujold

Writing Excuses 8.26: Space Opera

This week’s episode covers the perjoratively-named sub-genre, space opera. These are adventure stories in which the setting is futuristic, but in which the science is secondary. The lines are blurry, as they are with any definition of genre, but we’re pretty sure that Howard writes space opera.

A possible definition? Space Opera is when the author uses science to justify the cool stuff he or she has come up with.

We talk about the decisions that go into writing a space opera, how Howard has gone about it, and what you might focus on in order to write a compelling, adventurous romp.

Pithy Howardism: “If I pee far, it’s because I stand on the shoulders of giants.”

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Posit a faster-than-light drive that nobody else has thought of. Or at least that you haven’t heard of.

The Warrior’s Apprentice, by Lois McMaster Bujold, narrated by Grover Gardner

Writing Excuses 5.10: John Brown and the Creative Process

The now cancer-free John Brown joins us again, this time for a discussion of the creative process. John has presented a seminar on this subject in the past, the focus of which is to teach people to unlock their creativity. At the core of this is the problem-solving we all engage in at some point. You have a problem, so you sit down and try to solve it. BAM. Creativity.

With John’s help we set out to de-mystify creativity, showing how everybody has to be creative on a regular basis, and how this skill set can be broadened through certain types of behavior, and immersion in particular domains. We explore strategies for developing what feels like a good idea, tactics for getting un-stuck when we’re bogged down, and finally figuring out when we’re done.

Audiobook Pick-of-the-Week: The Hallowed Hunt by Lois McMaster Bujold, read by Marguerite Gavin

Writing Prompt: A person gets surgery so in order to imitate He Who Never Sleeps…

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Writing Excuses 5.6: MicroPodcasts

You’re going to love this one. This fast-paced episode of Writing Excuses goes out to everybody who thinks Writing Excuses isn’t already fast-paced enough.

We’ve done Q&A episodes before, but this one is special. This time we applied our “shot clock” to each question we fielded, and set out to knock each one down within three minutes.

The Questions:

What’s the right way to kill a character?

Who are the authors who have influenced you the most, and why?

When do you quit your day-job?

Brandon, would killing you and partaking of your flesh grant the killer your powers?

What do you do when you discover you hate a character you’re writing?

How do you respond to accusations of having written Mary Sue characters?

What are some basic tools for ensuring that all characters in a story have different voices?

Audiobook Pick-of-the-Week: Dragonflight, by Anne McCaffrey

Writing Prompt: Two critics who reviewed Dan Wells’ book and who had completely opposite reactions actually read two different books…

This episode of Writing Excuses has been brought to you by Audible.
Visit http://AudiblePodcast.com/excuse for a free trial membership*.
*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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