What’s the difference between intrigue, suspense, and mystery? We answer this (it comes down to reader knowledge vs character knowledge), and then talk about what makes intrigue useful as a tool for any story, and how to use it without falling back on idiot character plots, or simply withholding information from the reader.
Intrigue is also its own genre, with spy stories and political intrigue stories fitting into this space. We talk a bit about how those stories work, and how they’re built.
Upcoming Homework: We’ll be doing a Project-In-Depth on Mary’s new book, Of Noble Family, in two weeks (episode 10.21, airing on May 24th.) To get the most out of that episode without having anything spoiled, pick up a copy now and start reading!
Podcast: Play in new window | Download (Duration: 18:37 — 12.8MB)
Write dialog in which each of the speakers has a different subtext and motive. Without explicitly stating those, try and make them clear to the reader.
A Spy in the House: The Agency 1, by Y.S. Lee, narrated by Justine Eyre