How to write multiple viewpoints effectively, using the tool for the right reasons and avoiding pitfalls.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
How to write multiple viewpoints effectively, using the tool for the right reasons and avoiding pitfalls.
This episode was recorded live at Life, The Universe, & Everything 28, The BYU Symposium on Science Fiction and Fantasy, and features, among other things, our largest audience ever. Oh, and James Dashner, our friend and the author of The Maze Runner. It also features what has to be our roughest…
You’ve seen it done… “Zombie Apocalypse in Space.” “Perry Mason in the Armed Forces.” It’s genre blending, where the author takes themes prevalent in two different genres and combines them to create something new. Sometimes it works. Sometimes it doesn’t. We call down a few examples of both, and offer…
What is horror? Why is it scary? HOW is it scary? Forced by their grandfather’s will to spend an entire night in his spooky mansion, our podcasters gather to discuss the nuts and bolts of what horror is (and isn’t) and how it works behind the scenes. Here’s a hint:…