Fifteen minutes long, because you're in a hurry, and we're not that smart.
As we wrap up our Close Reading Series, we’re shifting our focus towards helping you integrate what you’ve learned. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to…
So, what is publishing for, anyway? The question may seem glib, but DongWong Song raised it in their newsletter, and in this episode we answer (or at least refine our asking of) the question. Liner Notes: The Publishing Question Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan…
Your Hosts: Mary Robinette, Dan, Amal, and Howard For the last seven episodes we’ve explored language, meaning, and their overlap with that thing we mean when we use language to say “poetry.” In this episode we step back to some origins, including, at a meta-level, the origins of this podcast as…
Your Hosts: Brandon, Mary, Mary Anne, and Wesley We discuss the idea of “reinventing yourself,” which can mean anything from “trying something new” to “completely re-branding yourself as a writer,” and how it’s a difficult thing to do without figuring out what it actually is that you’re currently doing. We talk…
What’s the difference between intrigue, suspense, and mystery? We talk about this, and then drill down on intrigue.
Recorded live in front of the Out of Excuses students, a crowd of savvy readers if ever there was one, we talk about how to effectively write for readers who are familiar with the genre or story structure in which we’re writing. It’s a tricky problem, since genre fiction is…
Live from Westercon 67 and Fantasy Con, Mette Ivie Harrison and J.R. Johannson join us to talk about writing for the mystery genre. We begin by talking about the key differences between thrillers and mysteries, and then move into how this understanding can drive our story structures. We discuss how characters…
Eric James Stone joins us for a discussion of hard science fiction — what it is, what it isn’t, and how to do it well.
Q&A covering workflow, contests, lantern-hanging, word counts, and more
What does “space opera” mean, and how might you go about writing it?
