Tools, not rules. For writers, by writers.
How can exposition be used as a pacing tool, and not just a way to convey information? We attempt to answer this question on today’s episode! Our hosts discuss how exposition naturally slows a story down, creating space for readers to process events, build tension, and deepen their understanding of…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’re back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we’re addressing the question of dialogue’s “job.” What’s it for? Why is this particular bit of dialogue in this scene,…
Your Hosts: Brandon, Victoria, Dan, and Howard “As you know, Bob…” is the trope-tastic line we use to refer to expository dialog which has no function beyond exposition. We get lots of listener questions about how to use dialog for eposition without making it feel like we’re using dialog for…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard The advice commonly given to writers is to worldbuild an iceberg, but only to show the reader the tip. This is still too much work. Icebergs are big. In this episode we talk about worldbuilding the tip of the iceberg, and then…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard Sherlock Holmes has his Watson for a reason. Readers need a character to whom some things must be explained. In this episode we talk about how we create these gateway characters without delivering “maid and butler” dialog, or talking down to the…
We’re back for the New Year, and we start by answering all your questions. Or at least eight of them.
“How do we avoid writing stilted dialog?” asked Brandon adverbially.
