Fifteen minutes long, because you're in a hurry, and we're not that smart.

19.51: And That Was That

As the end of Season 19 approaches, we want to help you integrate what you’ve learned over the year. For December, we’ll be releasing episodes designed to help you make measurable progress on a writing project. So dust off your current work-in-progress, or pull out your brainstorming documents—we’re here to…

18.39: How To Write An Ending

Deep Dive: Sergeant In Motion How do you write an ending to a book? How do you finish something you’ve been writing for over 20 years? Howard Tayler talks to us about writing the ending to his serialized webcomic and space opera, Schlock Mercenary. We dive into how to write a…

18.19: What is Publishing For, Anyway?

So, what is publishing for, anyway? The question may seem glib, but DongWong Song raised it in their newsletter, and in this episode we answer (or at least refine our asking of) the question. Liner Notes: The Publishing Question Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan…

16.42: M.I.C.E. Quotient, After the Fact

Your Hosts: Dan Wells, C.L. Polk, Charlotte Forfieh, and Mary Robinette Kowal Our eighth and final M.I.C.E. Quotient discussion will explore using M.I.C.E. as a diagnostic tool. So… your manuscript is done, but something isn’t working. How do you figure out where the problem is? If the ending isn’t satisfying, M.I.C.E. can tell…

15.42: Writing The End

Your Hosts: Brandon, Victoria, Dan, and Howard How do you decide what sort of event ends your story? How do you set the scale and the stakes for that event? And once you’ve made these decisions, how do you set about writing the best possible ending? Credits: This episode was…