Your Hosts: Brandon, Piper, Dan, and Howard
We fielded some questions on style, diction, and paragraphing:
- Is it okay to have pretty prose in a straightforward adventure story?
- How do author voice and character voice differ?
- How do you prevent paragraphs from rambling?
- I feel like my writing is derivative of the writers whose work I read. How can I find or develop my own voice?
- How much does diction play into genre fiction?
- Is it okay to write in a natural speaking voice?
- During which part of the writing process do you pay attention to style?
By Way Of Correction: “Unaccompanied Sonata,” by Orson Scott Card, is the story about anxiety of influence. “Tunesmith,” by Lloyd Biggle Jr., is about music, and even has the name “Bach” in it, but it’s not the story Howard described.
Podcast: Play in new window | Download (Duration: 23:11 — 16.0MB)
Ask your alpha readers for their definition of your voice.
Your Hosts: Brandon, Mary, Mary Anne, and Wesley
Let’s talk about word choice. And when we say “let’s” we mean “we’re going to talk to you about it. You don’t actually get to talk back.” So maybe “let’s” wasn’t the best of the possible openers.
Our discussion covers what we want to say, how specific we need to be, and what we want to evoke in the reader. Sometimes the wrong word is the right one, and the right word is the wrong one.
Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.
Podcast: Play in new window | Download (Duration: 19:58 — 13.8MB)
Exercise 1: Take some dialog you’ve written recently. Replace the dialog with dialog that uses completely different words (except for articles, prepositions, and names.)
Exercise 2: Write a scene in sentences no longer than seven words, then rewrite it in a single long sentence.