Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We’re back with Maurice Broaddus for the second in our eight-episode mini-master-class on writing dialogue. This time around we’re addressing the question of dialogue’s “job.” What’s it for? Why is this particular bit of dialogue in this scene,…
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler Writer, teacher, and community organizer Maurice Broaddus joins us for an eight-episode mini-master-class on writing dialogue. In this episode he walks us through his three keys: pay attention to how people speak, write in a way that evokes…
Your Hosts: Brandon, Howard, and Dan, with special guest Jim Butcher Jim Butcher joined us at NASFIC for a discussion about how we can keep long-running serials engaging after numerous books. Credits: this episode was recorded before a live audience by Dan Thompson, and mastered by Alex Jackson. Homework: Something…
Your Hosts: Brandon, Mary Robinette, and Dan, with Shannon and Dean Hale Shannon and Dean Hale join us to discuss how to effectively and convincingly write about¹ children. We cover dialog tools, point-of-view elements, stakes, and character ‘quirks’ that can help signal to the reader that a character is a…
Your Hosts: Brandon, Victoria, Dan, and Howard “As you know, Bob…” is the trope-tastic line we use to refer to expository dialog which has no function beyond exposition. We get lots of listener questions about how to use dialog for eposition without making it feel like we’re using dialog for…
Your Hosts: Brandon, Mary Robinette, Dan, and Howard Listener questions drove this episode, and there are only two of them but they were pretty good drivers. Here they are: Is it a problem that all my dialog ends up as logic-based debates between characters? What can I do to create…
Your Hosts: Brandon, Mary Robinette, and Dan, with special guest Rob Kimbro Rob Kimbro joins us this week to talk about Aristotle’s elements of tragedy, and how they might be applied to our writing. The six elements are (in Aristotle’s order of descending importance): plot, character, idea, dialog, music, and…
Your Hosts: Brandon, Mary, Dan, and Howard Character voice, the flow, order, and feel of words that is unique to a particular character, is extremely useful in defining characters for the reader. In this episode we discuss our tools for shaping character voices, and the ways in which we make sure…
Your Hosts: Brandon, Mary, Amal, and Maurice What are our favorite techniques for managing large casts of characters, and how do our processes differ from when we’re writing small casts? What does “large” and “small” mean for us? Liner Notes: No, Howard was not in the room. Yes, despite his absence, he…
Your Hosts: Howard, Mary, and Dan, with guest-host Susan Chang, and special guest J.R. Johannsen J.R. Johannson joined Howard, Mary, Dan, and guest-host Susan Chang at LTUE 2017 for a discussion of gendered dialect. We lead with a quick introduction to the Genderlect theory, by Deborah Tannen, which uses a very broad brush…
