Tag Archives: David Brin

Writing Excuses 7.10: Importance of Criticism, with David Brin

David Brin joined Mary and Dan at World Fantasy to pound the importance of criticism into our heads. Our episode opens with a discussion of what your first book should be (a murder mystery) and why David recommends this to his students.

And then on to criticism. It’s important for us, as writers, to be criticized because we’re all liars, and criticism is the only way to get decent product quality out of us. Unfortunately, we tend to hate the thing that we need the most. So David, Dan, and Mary discuss how to reconcile these two competing points, and how to seek criticism (and lots of other stuff, including how to learn by re-typing something.)

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What if dreams became so much more vivid that when you woke up, for a full hour you didn’t know whether you were still dreaming or not?

Startide Rising, by David Brin, narrated by George Wilson

Writing Excuses 6.13: World Building Communications Technology

Let’s talk commo! How does the ubiquity of communication tech affect your story? How far out of your own experience do you need to step in order to build a culture whose communications are believable?

We talk about the Great Wall of China, Napoleon’s visual semaphore, the Brin P2P Plan, and cell-phones in the X-files. Our goal? To get you to think about how the people in your stories communicate with each other, and how those communications can fail whether you’re writing fantasy or science-fiction.

Audiobook Pick-of-the-Week: Snow Crash, by Neal Stephenson, narrated by Jonathan Davis.

Errata: The Ringworld is not 93 million miles in diameter. That was the approximate radius. Also, Howard got the circumference wrong. If only we’d had instant access to some sort of database, some network of computational resources while we were recording this episode…

Writing Prompt: Start with a fax machine, make it a 3d-printer/prototyper, and run from there…

This episode of Writing Excuses has been brought to you by Audible.
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Writing Excuses 4.12: Writing An Epic

“Dude, that’s totally epic.”

“Epic fail! Epic fail!”

These phrases have only passing relation to epic storytelling, and to epic fantasy. Brandon and Howard write epics, and we’re going to talk about how we do it. And Dan’s going to help, because even if his launching-this-week I Am Not a Serial Killer novel is not an epic, Dan knows his stuff.

(Also, epic win for Dan! His book launches this week!)

We talk about some of our favorite epic fantasy and epic science fiction series, and then discuss elements like scope, plotlines, and characters. We also address some of the common pitfalls new writers fall into when trying to write their first epic.

Audiobook Pick-of-the-Week: The Uplift Trilogy: Brightness Reef, Infinity’s Shore, and Heaven’s Reach by David Brin

Writing Prompt: Google “Epic Win” (or just visit “Epic Win FTW“), take one of the images on the site, and then craft an epic story around that image.

Joke Not Told By Howard In The Podcast: If a new writer attempts to create an epic and falls flat on his or her face in the attempt, it is, in fact, Epic Fail.

This episode of Writing Excuses has been brought to you by Audible.

Visit http://AudiblePodcast.com/excuse for a free trial membership*.

*Note: From the Audible website, here are the terms of the free membership. Read the fine print, please!

Audible® Free Trial Details
Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation.

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