Fifteen minutes long, because you're in a hurry, and we're not that smart.
Your Hosts: Dan Wells, Mary Robinette Kowal, Maurice Broaddus, and Howard Tayler We begin this episode with a quick exploration of the terminology, and what we mean when we say “text,” “context,” and “subtext.” Subtext exists between text and context. It’s the information which isn’t actually in the text, but which we…
Your Hosts: Brandon, Victoria, Dan, and Howard Victoria Schwab, who also writes as V.E. Schwab, joins us this year, and in this episode she helps us cover that deep concept of “theme,” and how we as authors can state our themes without coming straight out and stating them—writing our themes…
Our second installment for the Master Class’s month of context covers the way dialog between characters may change meaning depending upon the context you create for them. This context may be the setting or genre, and it may also be the “beats” in which you describe what a person is…
We’ve talked about plot twists before. This episode covers the way in which the type of plot twist is dependent on, or signaled by, the context of the story. Getting plot twists right may mean surprising the reader, but it’s just as important to have the twist surprise the character.…
