Your Hosts: Brandon, Mary, Dan, and Howard, with Sandra Tayler
This Project in Depth episode contains spoilers for “Risk Assessment,” which is included in Force Multiplication: Schlock Mercenary Book 12. The story was written by Sandra Tayler, and illustrated by Natalie Barahona. Howard handled the writing and illustrating for the framing story, but this episode isn’t about that part.
Risk Assessment is a romance wrapped up in an adventure, and is very different from most of the rest of Schlock Mercenary. Have a listen, and Sandra will tell you about it.
Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.
If you haven’t yet read “Parallel Perspectives,” from Schlock Mercenary: Massively Parallel, we have a PDF for you to download and read before you start listening to this episode. It’s a 33mb file in a public DropBox folder.
This week is a Project in Depth episode focusing on a 13-page graphic story (“comic book”) found at the end of Schlock Mercenary: Massively Parallel, and our focus this week will be story structure. It’s fun, because the process of structuring a bonus story begins much differently than most projects, and the structure was laid in support of a four-creator collaboration.
Allison W. Hill and C. Austin Hill joined us at the Out of Excuses Retreat to talk about turning A Night of Blacker Darkness, by Dan Wells, into a stage play. “From the page to the stage” is a thing that theater people actually say to describe this, so the process is one that has a lot of precedent behind it. We talk about the guiding principles behind adaptation, and then dive into the challenges that our guests face with this particular project.
(Note: We may be tweaking the audio on this episode in the future to remove the “Season 10” references right at the end. They’re confusing, and you don’t need that.)
Kathleen Dalton Woodbury, the forum moderator at the Hatrack River writers group joined us at Westercon 67 to talk about critique groups. We cover how critiques should be offered, as well as importance of receiving critiques graciously and without defense, and we reflect on lots of the good and bad writing groups and critique groups we’ve been a part of.
This is hard to get right, but once you do get it right your critique group can become the team that helps you turn your work into something outstanding.
This is our fourth and final SHADOWS BENEATH story critique episode. This episode’s story, “An Honest Death,” by Howard Tayler, is available as part of the aforementioned Writing Excuses anthology, pictured there on the right, which includes the the draft we critiqued in this episode along with the final version.
We still have a few of the first-printing hardcovers left, and if you purchase the hardcover, we’ll send you the electronic edition at no additional charge.
This week we find Howard in trouble. He is, in a word, stuck.
Can our heroes help him? Can special guest Eric James Stone lend enough of his special guest expertise to complete the rescue?
We start with a discussion of what was working, so that Howard doesn’t accidentally “fix” something that isn’t broken. Then we wade into the weeds and go hunting for the pieces he needs in order to finish the story. And when we say “the weeds,” we’re talking serious wandering. The episode runs a full half-hour long…
You have, with actual paint, painted yourself into an actual corner. But the paint and the corner are in a world in which there is magic, and “you painted yourself into a corner” may very well be some sort of a spell.
The Firebird, by Susanna Kearsley, narrated by Katherine Kellgren
This is the third of our SHADOWS BENEATH story critique episodes. This episode’s story, “A Fire in the Heavens,” is available as part of the aforementioned Writing Excuses anthology, pictured there on the right, which includes the the draft we critiqued in this episode along with the final version.
Mary runs this session like she runs her own critique groups using what’s often called the Milford method in which we each take two minutes to run through our thoughts on the story. We do that for the first half of the episode. During the second half Mary asks us questions, sometimes for clarification about what we said, and sometimes for suggestions.
Rip-Off! Written by: John Scalzi, Jack Campbell, Mike Resnick, Allen Steele, Lavie Tidhar, Nancy Kress, Gardner Dozois (editor)
Narrated by: Wil Wheaton, Scott Brick, Christian Rummel, Jonathan Davis, Stefan Rudnicki, L. J. Ganser, Khristine Hvam
Fifteen minutes long, because you're in a hurry, and we're not that smart.