Brandon, Dan, and Howard accept their 2010 Parsec Award a bit late, and offer an apology for missing the ceremony.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Suspense! What is it? What isn’t it? What is the relationship between suspense and mystery, and for that matter horror, humor, and adventure? This ‘cast is chock full of pithy quotes, useful advice, and anecdotal examples.
Bree Despain joins Brandon, Dan, and Howard for a discussion of writing in the 1st-person
Special guest Bree Despain of the Dark Divine trilogy joins us for a ‘cast on character quirks. A character quirk, avoiding the tautological definition, is something that makes your character memorable. We talk about good quirks, bad quirks, and how to tell the difference. We also laugh a lot because it…
We’ve talked about point of view before, but only in general terms: this time we delve into third-person limited in detail, explaining how to use it and when to use it and why. We apologize for the lateness of the post, and the lameness of this episode description: this is…
The last of our three recorded-live episodes is also the last episode of Writing Excuses Season 4. We took questions from the audience, and answered them with ABSOLUTE APLOMB. Questions asked include: How did we, as beginning writers, manage to write while holding down day-jobs and/or going to school? What…
Recorded live at Dragons & Fairy Tales, this episode is for anybody who has a novel or two (or more) sitting in the bottom of their trunk. What are the best ways to re-use old material you’ve set aside? We talk about rewriting entire novels, repurposing plots or characters, and…
Recorded live at Dragons & Fairy Tales in Eagle Mountain, Utah, this episode features the work of several brave souls who submitted their first paragraphs to us for critique. We are not American Idol — we’re not out to rip these to shreds. We offer constructive criticism, highlight the good…
A practical, example-filled look at tuning up rough dialog.
How to build a future setting for your novel by extrapolating from the present, working backwards from the story you want to tell, and getting those to meet in the middle.