Don’t forget to nominate for the 2015 Hugo Ballot, and if you like Writing Excuses, please consider nominating Shadows Beneath for Best Related Work.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Fifteen minutes long, because you're in a hurry, and we're not that smart.
Don’t forget to nominate for the 2015 Hugo Ballot, and if you like Writing Excuses, please consider nominating Shadows Beneath for Best Related Work.
Cherie Priest joins us for a discussion of Lovecraftian horror.
Writing Excuses Season 10, the podcasted master-class, continues with this exploration of that critical second step: what do do once you’ve got an idea that has story-legs. (Note: When we say “two weeks ago” over and over, that’s just bad math. You haven’t missed an episode.) We talk about our…
Brandon, Howard, Mary, and Dan offer useful answers to that age-old question: “Where do you get your ideas?”
As 2014 draws to a close we say goodbye to Season 9, and talk a bit about what we’ve each learned this year. Howard explained the surprising changes that came with a change in his work space Mary told us how she reached a new understanding of pacing Brandon talked about…
You know what’s fun? WRITING! Writing is fun. And that, more than anything else, is why we do it. Or at least it’s why we decided to do it. Making sure that it is still fun is kind of tricky. Also tricky? Writing for nothing more than the fun of…
Allison W. Hill and C. Austin Hill joined us at the Out of Excuses Retreat to talk about turning A Night of Blacker Darkness, by Dan Wells, into a stage play. “From the page to the stage” is a thing that theater people actually say to describe this, so the…
If there’s a crowd with good questions, it’s the Out of Excuses Workshop and Retreat attendees. Given the trend toward moral ambiguity, is there still a place for an unquestionably evil character? Should you publish a first book that isn’t in the style or genre that you’re ultimately interested in?…
Recorded live in front of the Out of Excuses students, a crowd of savvy readers if ever there was one, we talk about how to effectively write for readers who are familiar with the genre or story structure in which we’re writing. It’s a tricky problem, since genre fiction is…
As authors we spend a lot of time trying to make our readers care about the characters we create. We have a wide variety of techniques at our disposal to accomplish this. But do we ever ask ourselves why any of this is possible in the first place? What is it about…