People respond really well to symmetry in stories. This can range from having an object from the beginning reappear at the end to having the entire plot mirrored. But why does symmetry work so well, and how can writers use it intentionally? This week, we’re trying to answer that question. We dissect callbacks, repeated images, mirrored scenes, and the satisfaction readers get from recognizing patterns. We also discuss how you can find symmetry during your revision (even if you didn’t plan for it!) and why sometimes breaking a pattern is exactly what your story needs.

Homework:

Return to the beginning of a story or a scene just before a climax and look at what’s already on the page: images, dialogue, settings, and other details. Then look at the corresponding scene near the end or after the climax and see what you might bring back or mirror. You can also work backward, planting something earlier that you’ve already written into a later scene.

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Join us June 10–16, 2027, in Indianapolis for a week of small-group workshops and writing classes taught by WX hosts and guest instructors! This retreat is all about rediscovering the joy in your writing, connecting with fellow writers, and making progress on your projects—learn more and register at writingexcuses.com/retreats

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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