16.44: World and Character Part 1: All Your Characters Are Biased

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler

The world of your book is most often shown to us through the eyes of the characters who live in that world. In this episode we discuss the fact that those characters have biases which will distort the reader’s perception of the world. Knowing this, we can use it to our advantage.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Take a favorite story and re-imagine it from a different POV (e.g. Harry Potter as told from the POV of the Minister of Magic.) What are the different worldbuilding needs?

16.43: The Narrative Holy Trinity of World, Character, and Plot, with Fonda Lee

Your Hosts: Dan Wells, Fonda Lee, Mary Robinette Kowal, and Howard Tayler

We’re beginning another master class, another deep dive series of episodes, and this time around we’ll be led into the realms of good worldbuilding by Fonda Lee. In this episode Fonda talks about her process, which includes plotting and character creation along with the worldbuilding.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Pick a favorite book with worldbuilding you admire. Can you identify in what ways the worldbuilding reinforces the character journeys, the plot, and the themes?

She Who Rides the Storm, by Caitlin Sangster

16.42: M.I.C.E. Quotient, After the Fact

Your Hosts: Dan Wells, C.L. PolkCharlotte Forfieh, and Mary Robinette Kowal

Our eighth and final M.I.C.E. Quotient discussion will explore using M.I.C.E. as a diagnostic tool. So… your manuscript is done, but something isn’t working. How do you figure out where the problem is? If the ending isn’t satisfying, M.I.C.E. can tell you whether the ending itself is actually at fault, and in this episode we’ll show you how.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Finally, you can let go of that fairy-tale rewrite. It’s time to apply these M.I.C.E. Quotient tools to something else you’ve written. Easy homework! Just, y’know… go fix your manuscript.

Just Keep Writing, a podcast by Marshall Carr

16.41: Middles and Conflicts with M.I.C.E. Structure

Your Hosts: Dan Wells, C.L. PolkCharlotte Forfieh, and Mary Robinette Kowal

With the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) explained, and the concept of nesting, or braiding the M.I.C.E. threads, we’re ready to dive into that most difficult part of the story: the middle.

Enough of us dread (or at least struggle with) middle-of-story writing that the promise of a structural tool to make it easier is kind of glorious. Our seventh  installment in M.I.C.E. Quotient discussions talks about how to use M.I.C.E. elements to inform try-fail cycles, ask/answer sequences, and conflicts in general.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Examine the conflicts in the middle of your fairy-tale project (the same one you’ve used for the last six episodes of homework.) Ask yourself if those are the conflicts you want to engage with. If they are, add a try-fail cycle that fits the MICE elements you’ve employed so far.

Rainbringer, by Adam Berg

16.40: Nesting Threads in the M.I.C.E. Quotient

Your Hosts: Dan Wells, C.L. PolkCharlotte Forfieh, and Mary Robinette Kowal

Now that we’ve drilled down into each of the M.I.C.E. elements (Milieu, Inquiry, Character, and Event) it’s time to explore nesting them. This sixth installment in our M.I.C.E. Quotient series focuses on the “FILO” (first-in, last-out) or “nested parentheses” method for symmetrically creating a story using M.I.C.E. elements.

Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Using the same fairy tale you’ve been using for this series, pick any two of the MICE elements, and nest them neatly. Then flip them and nest them the other way.

Ghost Talkers, by Mary Robinette Kowal